The Night Owl Show with Owl Sun:
Playlist
from December 11, 2021
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:55 (Pop-up) | ||||
| Deep Purple |
Anthem
|
1968 |
|
0:03:20 (Pop-up) | ||
| Syd Barrett |
Let's Split
|
1989 |
|
0:09:45 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Invention - A Haiku Overcast autumn A purple invention stuff under the mothers |
|
0:12:05 (Pop-up) |
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| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
0:12:37 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
0:17:57 (Pop-up) |
|||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
0:18:16 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
One afternoon I said to myself, "Why aren't spinks more last?" Now middle is just the thing, To get me wondering if spinks are ordinal. A tito, however hard it tries, Will always be angry. Does the tito make you shiver? does it? |
|
0:23:47 (Pop-up) |
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| The Mandrake Memorial |
Volcano
|
1969 |
|
0:24:22 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Instant Request |
|
0:29:16 (Pop-up) |
||
| The Monkees |
Porpoise Song
|
1968 | Requested by: The Ayatolluh of Rock 'n Rolluh |
|
0:29:20 (Pop-up) | |
| Elephant's Memory |
Super Heep
|
1969 |
|
0:33:22 (Pop-up) | ||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
0:38:52 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Accompaniment - A Haiku Depressing autumn before accompaniment dance by the electric |
|
0:44:07 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: Love, Dance And Sing
|
More Electric Banana | 1968 |
|
0:44:52 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Accompaniment, Part 2 - A Haiku Glorious autumn before accompaniment dance sagittarius |
|
0:47:36 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:48:19 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The mansion that's really dear, Above all others is the capricorn. A capricorn is pricey. a capricorn is high-priced, a capricorn is costly, however. I cannot help but stop and look at dearest jules. Do jules make you shiver? do they? The yellow libran sings like a poor attitude |
|
0:51:08 (Pop-up) |
||
| Ancient Grease |
Time To Die
|
1970 |
|
0:52:03 (Pop-up) | ||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
0:57:01 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:59:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Ancient - A Haiku Overcast autumn A late, ancient ancient grease near the studio |
|
1:00:27 (Pop-up) |
||
| The London Studio Group |
The Wild One
|
1:01:10 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Wild And Criminal Criminal Whose criminal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his criminal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:03:50 (Pop-up) |
||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
1:04:34 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
The Bad And Criminal Criminal Whose criminal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his criminal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:07:03 (Pop-up) |
||
| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
|
1:07:47 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at young fellahs. Fellahs are tender. fellahs are little, fellahs are girlish, however. How happy are big blokes! Down, down, down into the darkness of the blokes, Gently they go - the life-sized, the heroic, the generous. When I think of fellas, I see a little city. Down, down, down into the darkness of the fellas, |
|
1:12:08 (Pop-up) |
||
| JACKS |
In The Broken Mirror
|
1968 |
|
1:13:28 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Tr?brot - A Haiku Depressing autumn before broken tr?brot mirror beyond the mirror |
|
1:16:46 (Pop-up) |
||
| Trúbrot |
Am I Really Livin'?
|
1971 |
|
1:17:10 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:20:55 (Pop-up) |
|||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
1:21:07 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Twentieth - A Haiku Overcast autumn suddenly twentieth head above the wolfpack |
|
1:24:45 (Pop-up) |
||
| Twentieth Century Zoo |
It's All in My Head
|
1969 |
|
1:25:08 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Brotherhood - A Haiku Beautiful autumn A holy, brotherhood friend by the twentieth |
|
1:30:11 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:30:38 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
Instrumental - A Haiku Depressing autumn shall instrumental mother near the brotherhood |
|
1:35:12 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
1:35:40 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Instrumental, Part 2 - A Haiku Glorious autumn For instrumental mother the funkadelic |
|
1:41:48 (Pop-up) |
||
| Finch |
Nothing In The Sun
|
1968 |
|
1:42:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
How happy are odd sundays! Sundays are leftover. sundays are funny, sundays are left, however. How happy is the nuclear brasil! Now central is just the thing, To get me wondering if the brasil is thermonuclear. Fridays are alternate conversation. alternate conversation are fridays. |
|
1:47:28 (Pop-up) |
||
| Tuesday's Children |
She
|
1968 |
|
1:48:07 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:50:54 (Pop-up) |
|||
| Art |
Room With A View
|
1967 |
|
1:51:03 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
1:54:37 (Pop-up) |
|||
| Bob Guy |
Dear Jeepers
|
1963 |
|
1:54:50 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:57:11 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 1:59:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Machine - A Haiku Darkening autumn A ray, soft machine machine at the old esthers |
|
2:00:29 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
2:01:08 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Machine, Part 2 - A Haiku Overcast autumn A curly machine machine before the esthers |
|
2:03:17 (Pop-up) |
||
| The Move |
Curly
|
Curly |
|
2:03:39 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pay attention to the inability, the inability is the most persistent cognition of all. An inability is continual. an inability is haunting, an inability is unforgettable, however. I cannot help but stop and look at the seeming paucity. Never forget the ostensible and apparent paucity. A presence, however hard it tries, Will always be fat. |
|
2:06:20 (Pop-up) |
||
| Tintern Abbey |
Beeside
|
1967 |
|
2:07:14 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
|
2:11:36 (Pop-up) |
|||
| the stooges |
1969
|
1969 |
|
2:11:48 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:15:49 (Pop-up) |
|||
| Count Five |
Declaration Of Independence
|
1968 |
|
2:16:02 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
2:18:19 (Pop-up) |
|||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
2:18:30 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:20:46 (Pop-up) |
|||
| Groundhogs |
B.D.D.
|
1969 |
|
2:20:58 (Pop-up) | ||
| The Moonrakers |
Baby Please Don't Go
|
1966 |
|
2:24:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
2:27:37 (Pop-up) |
|||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
|
2:27:55 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Communities, however hard they try, Will always be remote. Communities are outside. communities are removed, communities are unlikely, however. How happy are metropolitan cities! Do cities make you shiver? do they? How happy are big districts! |
|
2:30:23 (Pop-up) |
||
| Iota |
R.I.P.
|
1969 |
|
2:31:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:35:17 (Pop-up) |
|||
| Groep 1850 |
Mother No-Head
|
1967 |
|
2:35:43 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Omissions, however hard they try, Will always be consonant. Down, down, down into the darkness of the omissions, Gently they go - the conformable, the consistent, the in harmony. I cannot help but stop and look at explanatory prefaces. Now instructive is just the thing, To get me wondering if prefaces are informative. The revised is phonological times, |
|
2:39:04 (Pop-up) |
||
| Poe |
Automatic Writing
|
1971 |
|
2:40:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Automatic - A Haiku Previous autumn A type, automatic frank on the regalia |
|
2:42:57 (Pop-up) |
||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
2:43:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
How happy is the second coogan! Down, down, down into the darkness of the coogan, Gently it goes - the instant, the ordinal, the minute. A pavarotti, however hard it tries, Will always be great. Now nifty is just the thing, To get me wondering if the pavarotti is cracking. I cannot help but stop and look at the yellow springsteen. |
|
2:46:48 (Pop-up) |
||
| it's all meat |
Roll My Own
|
1970 |
|
2:47:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at the texas wichita. Does the wichita make you shiver? does it? I saw the the chester royal family of my generation destroyed, How I mourned the lancaster. Does the lancaster make you shiver? does it? I saw the the yellow attorney of my generation destroyed, |
|
2:53:11 (Pop-up) |
||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
2:53:50 (Pop-up) | ||
| The Velvet Underground |
Candy Says
|
1969 |
|
2:59:57 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Springfield - A Haiku Last dampen autumn A present, broken springfield beyond the flowers |
|
3:03:58 (Pop-up) |
||
| The Wild Flowers |
More Than Me
|
1967 |
|
3:04:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
How happy is the roseate flush! Never forget the chromatic and rosaceous flush. The shrub that's really flowered, Above all others is the rose. Does the rose make you shiver? does it? I cannot help but stop and look at the fat bloom. Now greasy is just the thing, |
|
3:07:34 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Twice Is Life
|
1967 |
|
3:08:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:10:56 (Pop-up) |
|||
| Nancy Sinatra & Lee Hazlewood |
Sand
|
1968 |
|
3:11:11 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
One afternoon I said to myself, "Why aren't agnes more unattractive?" Are you upset by how fetching they are? Does it tear you apart to see the agnes so winning? How happy is the economic disintegration! Now worldly is just the thing, To get me wondering if the disintegration is efficient. The mathematical operation that's really cunning, |
|
3:15:38 (Pop-up) |
||
| Group 1850 |
Reborn
|
1968 |
|
3:16:19 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why aren't agnes more unattractive?" Are you upset by how fetching they are? Does it tear you apart to see the agnes so winning? How happy is the economic disintegration! Now worldly is just the thing, To get me wondering if the disintegration is efficient. The mathematical operation that's really cunning, |
|
3:19:34 (Pop-up) |
||
| Treetops |
Gypsy
|
2009 |
|
3:20:27 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
One afternoon I said to myself, "Why isn't the stolen more same?" A stolen is additional. a stolen is former, a stolen is early, however. All that is improbable is not absence, absence, by all account is probable. Are you upset by how unlikely it is? Does it tear you apart to see the absence so plausible? |
|
3:23:53 (Pop-up) |
||
| Dont Tread On Me |
Land Of Extremes
|
3:24:32 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land
|
I cannot help but stop and look at the carefully revised. Pause to update, like the revised does. I cannot help but stop and look at the only left. Never forget the lonesome and exclusive left. I cannot help but stop and look at the fat absent. Are you upset by how tubby it is? Does it tear you apart to see the absent so pyknic? Refresh until you're happy with your poem. |
|
3:27:34 (Pop-up) |
||
| Tintern Abbey |
Vacuum Cleaner
|
1967 |
|
3:28:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A lost, however hard it tries, Will always be solitary. Does the lost make you shiver? does it? Pay attention to the deceased, the deceased is the most several mortal of all. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? |
|
3:31:25 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
3:32:04 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
An inability, however hard it tries, Will always be relative. Never forget the proportionate and absolute inability. A dearth, however hard it tries, Will always be noticeable. Now strong is just the thing, To get me wondering if the dearth is broad. I cannot help but stop and look at the little omission. |
|
3:34:41 (Pop-up) |
||
| KAK |
Trieulogy: I) Golgotha II) Mirage III) Rain
|
1969 |
|
3:35:22 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:43:25 (Pop-up) |
|||
| The Leathercoated Minds |
Sunset And Clark
|
3:43:42 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Why would you think the thinking is right? the thinking is the most wrong higher cognitive process of all. Does the thinking make you shiver? does it? Tastebuds, however hard they try, Will always be more. Down, down, down into the darkness of the tastebuds, Gently they go - the additional, the less, the more than. |
|
3:46:49 (Pop-up) |
||
| Groep 1850 |
frozen mind
|
1968 |
|
3:47:32 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Donovan - A Haiku Showery autumn A frozen donovan mind at the perfect groep |
|
3:51:10 (Pop-up) |
||
| Donovan |
Good Time
|
1967 |
|
3:51:34 (Pop-up) | ||
| The Moving Sidewalks |
99th Floor
|
99th Floor |
|
3:53:21 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Donovan, Part 2 - A Haiku Early dampness fall A poor, clean donovan clean enjoying the graeme |
|
3:55:34 (Pop-up) |
||
| Bob And Graeme And Sean And Greg |
Good Clean Fun
|
1967 |
|
3:56:21 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
3:59:18 (Pop-up) | ||
| monks |
Monk Time
|
Black Monk Time |
|
4:05:16 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Mountain - A Haiku Showery autumn A steep, purple mountain black after the upchurch |
|
4:07:56 (Pop-up) |
||
| Deep Purple |
River Deep, Mountain High
|
1968 |
|
4:08:37 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
4:19:32 (Pop-up) |
|||
| Morgen |
Of Dreams
|
Morgen |
|
4:19:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
4:23:02 (Pop-up) |
|||
| Dantalian's Chariot |
The Madman Running Through The Fields
|
1967 |
|
4:23:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Dantalians - A Haiku Last dampish autumn before through dantalians near the chariot |
|
4:27:23 (Pop-up) |
||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
4:27:49 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:30:40 (Pop-up) |
|||
| The id |
The Rake
|
The Inner Sounds Of The Id |
|
4:31:03 (Pop-up) | ||
| Elephant's Memory |
Super Heep
|
1969 |
|
4:32:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
4:38:27 (Pop-up) |
|||
| The Monkees |
Porpoise Song
|
1968 |
|
4:38:39 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
4:42:43 (Pop-up) |
|||
| Emil Richards |
Amethyst (February)
|
New Sound Element "Stones" |
|
4:42:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
4:45:51 (Pop-up) |
|||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
4:46:06 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:37 (Pop-up) | ||||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: