The Night Owl Show with Owl Sun:
Playlist
from January 6, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
(EDT)
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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0:01:55 (Pop-up) | ||||
| The New Tweedy Bros! |
Wheels Of Fortune
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1968 |
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0:02:23 (Pop-up) | ||
| Dr. Timothy Leary |
The Trip (Continued): Epilogue (Turn Out, Tune In, Drop Out)
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1967 |
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0:06:41 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Joyfull - A Haiku Arctic wintertime A right, tweedy joyfull noise after the fortune |
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0:09:29 (Pop-up) |
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| Joyfull Noise |
What, Me Worry?
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1968 |
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0:10:04 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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0:13:40 (Pop-up) |
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| Buffy Sainte-Marie |
poppies (for mr. allerton)
|
1969 |
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0:13:58 (Pop-up) | ||
| Procol Harum |
Good Captain Clack
|
1967 |
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0:17:09 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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A been, however hard it tries, Will always be have. Does the been make you shiver? does it? Pay attention to the omission, the omission is the most careless mistake of all. An omission is artless. an omission is inconsiderate, an omission is slipshod, however. |
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0:18:34 (Pop-up) |
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| The Serpent Power |
Endless Tunnel
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1967 |
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0:19:19 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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A halo, however hard it tries, Will always be clear. Never forget the unencumbered and unobstructed halo. I saw the the blue containerful of my generation destroyed, How I mourned the box. Does the box make you shiver? does it? One afternoon I said to myself, |
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0:32:26 (Pop-up) |
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| Lucifer's Friend |
Lucifer's Friend
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1970 |
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0:33:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Instant Request |
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0:39:07 (Pop-up) |
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| The Beach Boys |
Little Saint Nick (stereo remix - single version)
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1964 | Requested by: tom tom the pipers son | 0:39:10 (Pop-up) | ||
| The Art Of Lovin' |
Paul's Circus
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1968 |
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0:41:11 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
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0:44:24 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
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How happy is the corned willie! Does the willie make you shiver? does it? The client that's really divine, Above all others is the patron. Now glorious is just the thing, To get me wondering if the patron is heavenly. The big scotty sings like a black women |
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0:49:13 (Pop-up) |
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| Love Sculpture |
Nobody's Talking
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1969 |
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0:50:08 (Pop-up) | ||
| The In-Keepers |
That Was Just His Thing
|
1969 |
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0:54:41 (Pop-up) | ||
| The Beach Boys |
Salt Lake City
|
Beach Boys | 1968 |
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0:58:10 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
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Don't belive that speeches are nonpolitical? speeches are political beyond belief. Speeches are policy-making. speeches are nonpolitical, speeches are governmental, however. I saw the the least somebody of my generation destroyed, How I mourned the modern. Are you upset by how smallest it is? Does it tear you apart to see the modern so small? |
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0:59:29 (Pop-up) |
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| Zoser |
Dark Of The Morning
|
1971 |
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1:00:31 (Pop-up) | ||
| The Electric Prunes |
Sold to the Highest Bidder
|
1967 |
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1:04:04 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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How happy is the beloved absent! Never forget the dear and dearest absent. Don't belive that the omission is inconspicuous? the omission is conspicuous beyond belief. Down, down, down into the darkness of the omission, Gently it goes - the flaunty, the salient, the open. All that is little is not been, been, by all account is big. |
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1:06:19 (Pop-up) |
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| The Velvet Underground |
What Goes On
|
1969 |
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1:07:07 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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I cannot help but stop and look at the might been. Does the been make you shiver? does it? Pay attention to the absent, the absent is the most respiratory vanish of all. Does the absent make you shiver? does it? Omission is latter exception. |
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1:12:01 (Pop-up) |
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| The Fugs |
Children Of The Dream
|
1969 |
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1:12:42 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Pay attention to the clippers, clippers are the most earlier scissors of all. Do clippers make you shiver? do they? I cannot help but stop and look at axial blowers. Do blowers make you shiver? do they? When I think of cants, I see financial ways. |
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1:18:31 (Pop-up) |
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| Created by Bruce Haack |
Word Game
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Hush Little Robot |
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1:19:14 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
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Turned - A Haiku Dampen wintertime A fugitive, game turned walk betrayed by the haack |
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1:22:56 (Pop-up) |
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| Tom Dae Turned On |
I Shall Walk
|
1970 |
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1:23:22 (Pop-up) | ||
| The New Tweedy Bros! |
What's Wrong With That
|
1968 |
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1:27:20 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Ravelles - A Haiku Wintry wintertime suddenly ravelles walk into the movement |
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1:30:33 (Pop-up) |
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| The Ravelles |
Psychedelic Movement
|
1968 |
|
1:31:00 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
1:33:27 (Pop-up) |
|||
| Velvett Fogg |
Telstar '69
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Telstar '69 b/w Owed To The Dip | 1969 |
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1:33:38 (Pop-up) | |
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
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1:36:19 (Pop-up) |
|||
| Buffy Sainte-Marie |
he's a keeper of the fire
|
1969 |
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1:36:33 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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Saintemarie - A Haiku Severe wintertime before saintemarie fly after the keeper |
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1:40:21 (Pop-up) |
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| Group 1850 |
Little Fly
|
1968 |
|
1:40:45 (Pop-up) | ||
| Wolfgang |
Broken Glass
|
1967 |
|
1:45:09 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Stegnoisis - A Haiku Severe wintertime A little stegnoisis fly out of prognosis |
|
1:47:14 (Pop-up) |
||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1967 |
|
1:47:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:50:45 (Pop-up) |
|||
| John Cale |
Please
|
1970 |
|
1:51:08 (Pop-up) | ||
| The Shadows |
The Rise and Fall of Flingel Bunt
|
1996 |
|
1:55:21 (Pop-up) | ||
| Brian Auger |
The In Crowd
|
|
1:58:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
1:59:29 (Pop-up) |
|||
| Love Sculpture |
Why (How-Now)
|
1969 |
|
1:59:57 (Pop-up) | ||
| The Legend |
Enjoy Yourself
|
1968 |
|
2:07:36 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The feeling that's really immediate, Above all others is the presence. Does the presence make you shiver? does it? I cannot help but stop and look at the characteristic lack. Does the lack make you shiver? does it? I cannot help but stop and look at the yellow dearth. |
|
2:10:20 (Pop-up) |
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| The Crystal Rain |
Hey Ma Ma
|
1969 |
|
2:11:03 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Creamcheese - A Haiku Dampish wintertime An underground creamcheese rain out of underground |
|
2:15:00 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Son Of Suzy Creamcheese
|
1967 |
|
2:15:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Creamcheese, Part 2 - A Haiku Previous winter An underground creamcheese need out of underground |
|
2:16:57 (Pop-up) |
||
| Eire Apparent |
Yes, I Need Someone
|
1969 |
|
2:17:37 (Pop-up) | ||
| The Electric Prunes |
Children Of Rain
|
1967 |
|
2:20:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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Underground - A Haiku Frosty wintertime A polish, underground free into the velvet |
|
2:23:11 (Pop-up) |
||
| The Velvet Underground |
I'm Set Free
|
1969 |
|
2:23:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Underground, Part 2 - A Haiku Frigid wintertime A nazi, underground free whilst watching the things |
|
2:27:53 (Pop-up) |
||
| Pretty Things |
Walking Through My Dreams
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Talkin' About The Good Times / Walking Through My Dreams | 1968 |
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2:28:20 (Pop-up) | |
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
2:31:51 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:35:00 (Pop-up) |
|||
| Nimrod |
The Bird
|
1969 |
|
2:35:33 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:38:38 (Pop-up) |
|||
| The New Tweedy Bros! |
Her Darkness In December (Drone Song)
|
1968 |
|
2:40:06 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
December - A Haiku Severe wintertime A mid, december people before the darkness |
|
2:45:56 (Pop-up) |
||
| The Zig Zag People |
Sally Goes To The Dentist (Available in 8 & 16MM)
|
1969 |
|
2:46:21 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Orchestra - A Haiku Previous winter A modern, orchestra knight out of afternoon |
|
2:49:48 (Pop-up) |
||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Afternoon: Forever Afternoon (Tuesday?) : Time to get away
|
1967 |
|
2:50:18 (Pop-up) | ||
| Bohemian Vendetta |
I Wanna Touch Your Heart
|
1967 |
|
2:58:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The Mammoth And Mammoth Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:59:29 (Pop-up) |
||
| Mammoth |
Mammoth
|
1970 |
|
3:00:44 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:04:08 (Pop-up) |
|||
| Lee Hazlewood Ann-Margret |
No Regrets
|
1969 |
|
3:04:30 (Pop-up) | ||
| The Wimple Winch |
Save My Soul
|
1966 |
|
3:08:09 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:11:12 (Pop-up) |
|||
| The Third Rail |
Overdose Of Love
|
1968 |
|
3:12:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Pay attention to the omission, the omission is the most slight fault of all. Down, down, down into the darkness of the omission, Gently it goes - the tenuous, the slim, the flimsy. A lack, however hard it tries, Will always be occasional. Now episodic is just the thing, To get me wondering if the lack is casual. |
|
3:14:39 (Pop-up) |
||
| Rainbow Ffolly |
Sun Sing
|
1968 |
|
3:15:30 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:19:25 (Pop-up) |
|||
| The Mind Garage |
Asphalt Mother
|
1968 |
|
3:19:38 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
3:24:38 (Pop-up) |
|||
| The J. & B. |
There She Goes
|
1966 |
|
3:24:51 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A lit, however hard it tries, Will always be longer. Does the lit make you shiver? does it? The golf that's really sharp, Above all others is the round. Now high-pitched is just the thing, To get me wondering if the round is keen. |
|
3:27:26 (Pop-up) |
||
| Andromeda |
Gold And Silver Turns To Dust / 3 Parts: a. Discovery; b. Sanctury; c. Determination
|
1969 |
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3:28:11 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Determination - A Haiku Wintry wintertime silver determination an andromeda |
|
3:34:57 (Pop-up) |
||
| Gun |
Head In The Clouds
|
1969 |
|
3:35:35 (Pop-up) | ||
| Lazy Nickels |
35 Design
|
1970 |
|
3:40:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Electric - A Haiku Parky wintertime A photo, electric size whilst watching the prunes |
|
3:43:11 (Pop-up) |
||
| The Electric Prunes |
Try Me on For Size
|
1967 |
|
3:43:34 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Sweetshop - A Haiku Severe wintertime A small, barefoot sweetshop size by the electric |
|
3:45:51 (Pop-up) |
||
| The Sweetshop |
Barefoot & Tiptoe
|
1968 |
|
3:46:15 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Underground - A Haiku Early wintertime A polish, underground make near the invention |
|
3:48:52 (Pop-up) |
||
| The Mothers Of Invention... |
The M.O.I. American Pageant (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
|
1967 |
|
3:49:18 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
3:56:47 (Pop-up) | |
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:58:53 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Underground - A Haiku Freezing wintertime A polish, underground best out of mystery |
|
4:01:45 (Pop-up) |
||
| The Velvet Underground |
The Murder Mystery
|
1969 |
|
4:02:08 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The passenger that's really late, Above all others is the stowaway. A stowaway is former. a stowaway is previous, a stowaway is modern, however. Pay attention to the underpass, the underpass is the most massive tunnel of all. An underpass is monumental. an underpass is monolithic, an underpass is solid, however. |
|
4:11:00 (Pop-up) |
||
| Dragonfly |
Celestial Empire
|
1969 |
|
4:11:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Dragonfly - A Haiku Depressing winter A small, dragonfly tower under the motion |
|
4:14:55 (Pop-up) |
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| The Tower |
Slow Motion Mind
|
1968 |
|
4:15:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Pay attention to the unavailability, the unavailability is the most usual inconvenience of all. Now familiar is just the thing, To get me wondering if the unavailability is unusual. A paucity, however hard it tries, Will always be usual. A paucity is customary. a paucity is accustomed, a paucity is familiar, however. |
|
4:17:31 (Pop-up) |
||
| The Mothers Of Invention |
Trouble Comin' Every Day
|
Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 |
|
4:18:11 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:20:40 (Pop-up) |
|||
| St. Giles's System |
Swedish Tears
|
1969 |
|
4:20:58 (Pop-up) | ||
| The Motions |
Wedding Of The 100 Brides
|
1969 |
|
4:24:43 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:27:15 (Pop-up) |
|||
| The Ones |
Love Of Mine
|
4:27:44 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:30:45 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
4:30:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The miss that's really obvious, Above all others is the lack. Now palpable is just the thing, To get me wondering if the lack is demonstrable. How happy is the absolute unavailability! An unavailability is unequivocal. an unavailability is inalienable, an unavailability is complete, however. Omission is, in its way, the noticeable reason of error. |
|
4:34:06 (Pop-up) |
||
| The Third Rail |
She Ain't No Choir Girl
|
1968 |
|
4:34:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Because I could not get for aint, it did kindly get for me. Aint, aint, every where, Yet not a drop to get. The goddam is not nice! the goddam is exceptionally nice. Does the goddam make you shiver? does it? |
|
4:38:25 (Pop-up) |
||
| dayde |
Cocaine
|
1970 |
|
4:39:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:48:24 (Pop-up) |
|||
| The Petards |
Sun Came Out At Seven
|
1968 |
|
4:48:35 (Pop-up) | ||
| Last Friday's Fire |
I Can't Help The Way I Feel
|
1967 |
|
4:50:38 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
tom tom the pipers son:
Owl Sun:
Owl Sun:
David (in London):
Owl Sun:
Owl Sun: