The Night Owl Show with Owl Sun:
Playlist
from March 24, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | ||||
| Erik |
Georgeann
|
1968 |
|
0:03:17 (Pop-up) | ||
| Eden's Children |
Echoes
|
1968 |
|
0:07:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:09:18 (Pop-up) |
|||
| The Art Of Lovin' |
State Of Mind
|
1968 |
|
0:09:36 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:15:37 (Pop-up) |
|||
| The Jelly Bean Bandits |
Tapestries
|
1967 |
|
0:15:49 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy are unseen ambushers! Never forget the unseeable and unnoticed ambushers. Gangs, however hard they try, Will always be criminal. Now wrong is just the thing, To get me wondering if gangs are felon. When I think of punks, I see a cheap labour. Down, down, down into the darkness of the punks, |
|
0:18:10 (Pop-up) |
||
| Buffy Sainte-Marie |
better to find out for yourself
|
1969 |
|
0:18:52 (Pop-up) | ||
| The Amen Corner |
Gin House Blues
|
1967 |
|
0:21:04 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Saintemarie - A Haiku Darkening springtime shall saintemarie mother beyond the newsboys |
|
0:24:12 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bad News
|
1968 |
|
0:24:51 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Brainticket - A Haiku Shivering springtime A black brainticket mother above the newsboys |
|
0:28:03 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
0:28:27 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
A failing, however hard it tries, Will always be never. Does the failing make you shiver? does it? Don't belive that whereabouts are unlikely? whereabouts are probable beyond belief. Do whereabouts make you shiver? do they? |
|
0:32:28 (Pop-up) |
||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
|
0:33:03 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
0:35:32 (Pop-up) |
|||
| Cupid's Inspiration |
Dream
|
1968 |
|
0:35:50 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Instant Request |
|
0:39:53 (Pop-up) |
||
| The Beach Boys |
Time To Get Alone (backing track)
|
2007 | For: tom tom the pipers son | 0:39:56 (Pop-up) | ||
| The Other Half |
I Know
|
1967 |
|
0:43:01 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
0:45:39 (Pop-up) |
|||
| The Moon |
Pirate
|
1969 |
|
0:46:10 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
0:48:52 (Pop-up) |
|||
| Family |
Me My Friend
|
1968 |
|
0:48:59 (Pop-up) | ||
| The Orange Bicycle |
Rennaissance Fair
|
1968 |
|
0:51:00 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Whereabouts, however hard they try, Will always be exact. Never forget the perfect and verbatim whereabouts. I cannot help but stop and look at the greatest failing. A failing is superior. a failing is sterling, a failing is best, however. A deceased, however hard it tries, Will always be cunning. |
|
0:53:58 (Pop-up) |
||
| Brother Nigel's Proxy Party |
Look At The Floor
|
1969 |
|
0:54:46 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
0:57:28 (Pop-up) | |
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:59:18 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
The Party And Mixed Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:00:25 (Pop-up) |
||
| Bob Dylan |
Mixed Up Confusion
|
1962 |
|
1:01:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The High And Mixed Confusion Whose confusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his confusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:03:47 (Pop-up) |
||
| Skip Battyn and The Groop |
High Coin
|
1965 |
|
1:04:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Turquoise - A Haiku Overcast springtime A beautiful turquoise skip at the old dealer |
|
1:07:01 (Pop-up) |
||
| Turquoise |
Beautiful Death Dealer
|
1968 |
|
1:07:24 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Turquoise, Part 2 - A Haiku Eternal moist spring A beautiful turquoise home by the hickory |
|
1:11:30 (Pop-up) |
||
| Hickory Hollow |
Home
|
1968 |
|
1:12:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The Hollow And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:15:06 (Pop-up) |
||
| The Velvet Underground & Nico |
Run, Run, Run
|
1967 |
|
1:15:51 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Underground - A Haiku Inclement springtime A nazi, underground run above the velvet |
|
1:20:10 (Pop-up) |
||
| Erik |
You Said / But I've Got My Way
|
1968 |
|
1:20:33 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A patricia, however hard it tries, Will always be beloved. Now dear is just the thing, To get me wondering if the patricia is dearest. How happy is the dirk jan! Does the jan make you shiver? does it? An andrea, however hard it tries, |
|
1:26:16 (Pop-up) |
||
| Tiny Tim |
Little Girl
|
1966 |
|
1:26:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
America - A Haiku Shivering springtime A white, america love enjoying the states |
|
1:29:16 (Pop-up) |
||
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
1:29:41 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
|
Vegetable - A Haiku Darkening springtime A leafy, vegetable pink the america |
|
1:34:20 (Pop-up) |
||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
1:34:44 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Vegetable, Part 2 - A Haiku Showery springtime A spent vegetable mother beyond the newsboys |
|
1:37:12 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
How I Spent My Summer
|
1968 |
|
1:37:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The effusion that's really and, Above all others is the cry. Does the cry make you shiver? does it? How happy are deafening shouts! Shouts are roaring. shouts are thunderous, shouts are loud, however. When I think of reporters, I see an american method. |
|
1:42:21 (Pop-up) |
||
| The Balloon Farm |
A Question of Temperature
|
1967 |
|
1:43:03 (Pop-up) | ||
| The What-Nots |
Morning
|
1966 |
|
1:45:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Why would you think the caucasus is southern? the caucasus is the most northern geographical area of all. Down, down, down into the darkness of the caucasus, Gently it goes - the septrional, the southern, the boreal. One afternoon I said to myself, "Why isn't the slovakia more southern?" A slovakia is north-central. a slovakia is north, a slovakia is boreal, however. |
|
1:47:57 (Pop-up) |
||
| It's A Beautiful Day |
Bulgaria
|
1968 |
|
1:48:50 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Why would you think the caucasus is southern? the caucasus is the most northern geographical area of all. Down, down, down into the darkness of the caucasus, Gently it goes - the septrional, the southern, the boreal. One afternoon I said to myself, "Why isn't the slovakia more southern?" A slovakia is north-central. a slovakia is north, a slovakia is boreal, however. |
|
1:51:27 (Pop-up) |
||
| nico |
Lawns Of Dawns
|
1969 |
|
1:52:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:55:23 (Pop-up) |
|||
| Simon T. Stokes |
Big City Blues
|
1966 |
|
1:55:46 (Pop-up) | ||
| The Lovin' Spoonful |
Full Measure (instrumental version)
|
1966 |
|
1:58:58 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Family - A Haiku Shivering springtime A big family winter watching the winter |
|
2:00:24 (Pop-up) |
||
| Family |
Winter
|
1968 |
|
2:00:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Laughing - A Haiku Showery springtime A laughing laughing winter by the tomorrow |
|
2:03:19 (Pop-up) |
||
| The Laughing Wind |
Don't Take Very Much To See Tomorrow
|
1966 |
|
2:03:52 (Pop-up) | ||
| The Flower Pot Men |
Am I Losing You
|
1967 |
|
2:05:41 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
The Laughing And Outrageous Laughing Whose laughing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her laughing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:07:38 (Pop-up) |
||
| The Garden Club |
I Must Love Her
|
1967 |
|
2:09:38 (Pop-up) | ||
| Contact |
Convulsions
|
1969 |
|
2:12:17 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:16:01 (Pop-up) |
|||
| Bob Dylan |
Corrina Corrina
|
1962 |
|
2:16:28 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the therese louise! Does the louise make you shiver? does it? Don't belive that the randall is coarse? the randall is fine beyond belief. Now alright is just the thing, To get me wondering if the randall is pleasant. Pay attention to the tammy, |
|
2:19:05 (Pop-up) |
||
| Josefus |
Bald Peach
|
1970 |
|
2:19:42 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the private deceased! A deceased is close. a deceased is sequestered, a deceased is tete-a-tete, however. A stolen, however hard it tries, Will always be horses. Does the stolen make you shiver? does it? The disappearance is not small! |
|
2:22:17 (Pop-up) |
||
| Colours |
Love Heals
|
1968 |
|
2:22:56 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Parallel - A Haiku Shivering springtime shall parallel parallel before the colours |
|
2:25:24 (Pop-up) |
||
| 49th Parallel |
Close The Barn Door
|
1969 |
|
2:25:49 (Pop-up) | ||
| New York Rock & Roll Ensemble |
City
|
1969 |
|
2:28:53 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Parallel, Part 2 - A Haiku Showery springtime where parallel parallel before the promo |
|
2:32:06 (Pop-up) |
||
| Giant Crab |
E.S.P.
|
1969 |
|
2:33:34 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why isn't the rizzio more unmelodious?" Does the rizzio make you shiver? does it? A tilsit, however hard it tries, Will always be second. Are you upset by how sec it is? Does it tear you apart to see the tilsit so minute? |
|
2:35:54 (Pop-up) |
||
| The Cleves |
You And Me
|
1970 |
|
2:36:40 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy is the ishii kuntz! Does the kuntz make you shiver? does it? One afternoon I said to myself, "Why isn't the dingey more large?" Does the dingey make you shiver? does it? Marrier is harmless care. |
|
2:39:58 (Pop-up) |
||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
2:40:32 (Pop-up) | ||
| Eire Apparent |
Mr. Guy Fawkes
|
1969 |
|
2:42:34 (Pop-up) | ||
| Erasmo Carlos |
Agora Ninguém Chora Mais
|
1971 |
|
2:48:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Underground - A Haiku Darkening springtime A dark, underground motor near the underground |
|
2:50:46 (Pop-up) |
||
| the underground set |
Motor Road Underground
|
1970 |
|
2:51:17 (Pop-up) | ||
| Emil Richards & the Microtonal Blues Band |
Journey to Bliss - Part lll
|
1968 |
|
2:54:47 (Pop-up) | ||
| The Tornadoes |
Hymn for Teenagers
|
1997 |
|
2:57:53 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
How happy are great travis! Do travis make you shiver? do they? Robbins, however hard they try, Will always be compare. Do robbins make you shiver? do they? I cannot help but stop and look at the yellow derek. |
|
3:00:15 (Pop-up) |
||
| Tripsichord Music Box |
Family Song
|
1968 |
|
3:00:58 (Pop-up) | ||
| Black Swan |
She Encircles Me
|
1968 |
|
3:09:19 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:11:23 (Pop-up) |
|||
| Cat Mother and the All Night Newsboys |
Marie
|
1968 |
|
3:11:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
3:15:23 (Pop-up) |
|||
| Family |
Hey Mr. Policeman
|
1968 |
|
3:15:44 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:18:51 (Pop-up) |
|||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
3:19:05 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:24:19 (Pop-up) |
|||
| The Balloon Farm |
Hurtin' For Your Love
|
1967 |
|
3:24:45 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
The stolen is not white! the stolen is exceptionally aflame. Down, down, down into the darkness of the stolen, Gently it goes - the scarlet, the aflame, the cherry. Pay attention to the lost, the lost is the most man people of all. Never forget the human and homo lost. Just like mysterious questions, is disappearances. |
|
3:26:45 (Pop-up) |
||
| The Flower Pot Men |
A Walk In The Sky
|
1967 |
|
3:27:27 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Clouds - A Haiku Showery springtime A heavy, in clouds flower after the flower |
|
3:31:15 (Pop-up) |
||
| Gun |
Head In The Clouds
|
1969 |
|
3:31:36 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy is the rosy alpenglow! Now blushful is just the thing, To get me wondering if the alpenglow is healthy. The visible radiation that's really white, Above all others is the moon. Never forget the caucasoid and light-skinned moon. How happy is the cunning horizon! Now ingenious is just the thing, |
|
3:36:09 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
3:37:01 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the rosy alpenglow! Now blushful is just the thing, To get me wondering if the alpenglow is healthy. The visible radiation that's really white, Above all others is the moon. Never forget the caucasoid and light-skinned moon. How happy is the cunning horizon! Now ingenious is just the thing, |
|
3:39:49 (Pop-up) |
||
| Kim Fowley |
They're Comming To Take Me Away, Ha Ha!
|
1966 |
|
3:40:27 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Documentary - A Haiku Darkening springtime shall documentary take on the religion |
|
3:42:19 (Pop-up) |
||
| Josefus |
America
|
1970 |
|
3:45:09 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
|
3:47:42 (Pop-up) |
|||
| Boudewijn de Groot |
De Tuin Der Lusten: Prikkebeen
|
1968 |
|
3:48:04 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Prikkebeen - A Haiku Perpetual spring before much prikkebeen roll out of boudewijn |
|
3:52:13 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Asking Too Much
|
1969 |
|
3:52:51 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Memorial - A Haiku Eternal springtime A long, memorial roll at the old mandrake |
|
3:55:29 (Pop-up) |
||
| Mandrake Memorial |
Musical Man
|
1969 |
|
3:55:54 (Pop-up) | ||
| The Enchanted Forest |
The Word Is Love
|
1968 |
|
3:59:36 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
A forgotten, however hard it tries, Will always be five. Now 5 is just the thing, To get me wondering if the forgotten is cardinal. I cannot help but stop and look at glaring omissions. Are you upset by how dazzling they are? Does it tear you apart to see the omissions so fulgent? When I think of the been, I see a last century. |
|
4:03:51 (Pop-up) |
||
| Fabulous Farquahr |
Night People
|
1969 |
|
4:04:35 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Rockabye - A Haiku Inclement springtime before rockabye people on the farquahr |
|
4:07:00 (Pop-up) |
||
| Tiny Tim |
Bring Back Those Rockabye Baby Days
|
1968 |
|
4:07:31 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
How happy is the loathsome neglected! Does the neglected make you shiver? does it? omissions are not unsealed! omissions are exceptionally fated. Down, down, down into the darkness of the omissions, Gently they go - the doomed, the fated, the uncertain. The revised is like phonological responses, |
|
4:10:30 (Pop-up) |
||
| Cameleon |
Le Chemin De La Descente
|
1971 |
|
4:11:13 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
4:15:24 (Pop-up) |
|||
| Joyfull Noise |
Puppets and Pearls
|
1968 |
|
4:15:39 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:18:18 (Pop-up) |
|||
| Tripsichord Music Box |
You're The Woman
|
1968 |
|
4:18:34 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
How happy is the dead anthony! Does the anthony make you shiver? does it? I cannot help but stop and look at the much blaine. Does the blaine make you shiver? does it? The thompson is not lean! the thompson is exceptionally podgy. |
|
4:22:08 (Pop-up) |
||
| Bryan Dunkettle |
I don't follow war no more
|
1970 |
|
4:22:45 (Pop-up) | ||
| The Amen Corner |
Gin House Blues
|
1967 |
|
4:25:04 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The War And Bad Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:28:12 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bad News
|
1968 |
|
4:29:01 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Newsboys - A Haiku Perpetual spring A few, through newsboys mother above the windows |
|
4:32:12 (Pop-up) |
||
| Family |
See Through Windows
|
1968 |
|
4:32:37 (Pop-up) | ||
| Black Swan |
Lady Blonde
|
1968 |
|
4:36:59 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Windows - A Haiku Inclement springtime A broken, through windows part out of family |
|
4:39:05 (Pop-up) |
||
| The Moody Blues |
Have You Heard Part II
|
1969 |
|
4:39:33 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
A xii, however hard it tries, Will always be swedish. Does the xii make you shiver? does it? I cannot help but stop and look at the major part. Now outstanding is just the thing, To get me wondering if the part is nonaged. I cannot help but stop and look at the zany absalom. |
|
4:41:55 (Pop-up) |
||
| bernard jamet |
raison légale
|
1968 |
|
4:42:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
4:45:13 (Pop-up) |
|||
| Mecki Mark Men |
Love Your Life
|
1967 |
|
4:45:24 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:49:38 (Pop-up) | ||||
| Nirvana |
C Side of Ocho Rios
|
All Of Us | 1968 |
|
||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
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Listener comments!
Owl Sun:
spodiodi:
Owl Sun:
spodiodi:
tom tom the pipers son:
spodiodi:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
spodiodi:
spodiodi:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
spodiodi:
spodiodi:
Owl Sun: