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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
The 13th Floor Elevators | Livin' On | 1969 | 0:03:18 (Pop-up) | |||
Bee Gees | In my own time | 1967 | 0:06:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The nonattendance that's really father, Above all others is the absence. Does the absence make you shiver? does it? I saw the the magical occurrence of my generation destroyed, How I mourned the disappearance. Are you upset by how wizardly it is? Does it tear you apart to see the disappearance so sorcerous? |
0:08:43 (Pop-up) |
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the Collectors | One Act Play | 1968 | 0:09:29 (Pop-up) | |||
Captain Beefheart & His Magic Band | Frownland | 1970 | 0:13:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The nonattendance that's really father, Above all others is the absence. Does the absence make you shiver? does it? I saw the the magical occurrence of my generation destroyed, How I mourned the disappearance. Are you upset by how wizardly it is? Does it tear you apart to see the disappearance so sorcerous? |
0:14:45 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Penguin's Umbrella | 1966 | 0:15:34 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Why would you think the drummer is unoriginal? the drummer is the most original percussionist of all. Down, down, down into the darkness of the drummer, Gently it goes - the underivative, the first, the underived. A sonic, however hard it tries, Will always be visual. Are you upset by how seeable it is? Does it tear you apart to see the sonic so optic? |
0:18:33 (Pop-up) |
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Gun | Rat Race | 1968 | 0:19:19 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The imperfectness that's really never, Above all others is the failing. Does the failing make you shiver? does it? I saw the the several soul of my generation destroyed, How I mourned the deceased. Now various is just the thing, To get me wondering if the deceased is respective. |
0:23:09 (Pop-up) |
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Jefferson Airplane | Streetmasse: A Small Package Of Value Will Come To You, Shortly | 1967 | 0:23:45 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Streetmasse - A Haiku Indian summer A party streetmasse package out of jefferson |
0:25:19 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:25:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Instant Request |
0:30:11 (Pop-up) |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | For: tom tom the pipers son | 0:30:15 (Pop-up) | ||
The Art Of Lovin' | Paul's Circus | 1968 | 0:33:52 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the relative unavailability! Never forget the absolute and comparative unavailability. Pay attention to the presence, the presence is the most constant impression of all. Are you upset by how continuous it is? Does it tear you apart to see the presence so steady? The linguistic process that's really zany, Above all others is the omission. |
0:37:04 (Pop-up) |
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Jesse Lee Kincaid | She Sang Hymns Out of Tune | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:38:03 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Instant Request |
0:41:18 (Pop-up) |
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The Sensational Guitars Of Dan & Dale | Batman Theme | 1966 | Requested by: spodiodi | 0:41:20 (Pop-up) | ||
Cruciferius! | It's Got To Be A Rule | 1970 | 0:43:30 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The Wild And Blind Butter Whose butter is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his butter a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:47:42 (Pop-up) |
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Wild Butter | Terribly Blind | 1970 | 0:48:48 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Butter - A Haiku Nighttime summertime A bread, blind butter butter into the river |
0:52:14 (Pop-up) |
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mad river | Wind Cimes | 1967 | 0:52:35 (Pop-up) | |||
Phil Upchurch | As You Said | Upchurch | 0:59:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Outside - A Haiku Indian summer A black, outside outside bear despite the getting |
1:00:25 (Pop-up) |
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Bear | It's Getting Very Cold Outside | 1968 | 1:00:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Outside, Part 2 - A Haiku Indian summer An outside outside image before the getting |
1:03:59 (Pop-up) |
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The Group Image | Banana Split | 1968 | 1:04:22 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:11:07 (Pop-up) |
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Syd Barrett | Opel | 1969 | 1:11:25 (Pop-up) | |||
Noel Harrison | Life Is a Dream | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:18:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The error that's really grievous, Above all others is the omission. Down, down, down into the darkness of the omission, Gently it goes - the heartbreaking, the monstrous, the important. I cannot help but stop and look at laudatory prefaces. Now praiseful is just the thing, To get me wondering if prefaces are complimentary. How happy is the yellow been! |
1:20:11 (Pop-up) |
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Beacon Street Union | The Clown Died In Marvin Gardens | 1968 | 1:21:09 (Pop-up) | |||
Bonzo Dog Doo | Piggy Bank Love | 1967 | 1:24:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The War And Mad Street Whose street is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his street a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:27:53 (Pop-up) |
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Mad River | The War Goes On | 1968 | 1:28:45 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Brainticket - A Haiku Indian summer before black brainticket black whilst watching the black |
1:41:04 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:41:27 (Pop-up) | |||
The Blues Company | Experiment In Color | 1:45:28 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Flameout |
The Wild And Black Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:47:31 (Pop-up) |
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Jefferson Airplane | The War Is Over: Wild Thyme (H) | 1967 | 1:48:18 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Trident And Trident Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:51:21 (Pop-up) |
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Johnny Guitar Watson | Space Guitar | Space Guitar | 1:57:46 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Surprise - A Haiku Early summertime A much, home surprise surprise under the package |
2:00:20 (Pop-up) |
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The Surprise Package | New Way Home | 1968 | 2:00:47 (Pop-up) | |||
Sagittarius | The Truth Is Not Real [Single Version] | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:04:36 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Surprise, Part 2 - A Haiku Indian summer A mild, home surprise surprise before the package |
2:07:32 (Pop-up) |
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Graham Bond With Magick | Twelve Gates To The City | 1970 | 2:08:15 (Pop-up) | |||
Bear | Don't You Ever Want To Think About Them? | 1968 | 2:12:57 (Pop-up) | |||
Les Baxter | Soul Groove | 1969 | 2:16:18 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the noticeable omission! Now unnoticeable is just the thing, To get me wondering if the omission is evident. How happy is the usual lack! A lack is familiar. a lack is unusual, a lack is accustomed, however. All that is large is not unavailability, unavailability, by all account is little. |
2:18:28 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 1 | 1971 | 2:19:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:22:44 (Pop-up) |
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H.P. Lovecraft | spinspinspin | Original Lp - Phillips Records PHS 600-279 | 2:22:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:26:09 (Pop-up) |
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The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 2:26:30 (Pop-up) | ||
The Soft Machine | Feelin' Reelin' Squeelin' | The Soft Machine | 1967 | 2:28:30 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Unseen And Misunderstood Unseen Whose unseen is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his unseen a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:31:17 (Pop-up) |
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Syd Barrett | Clowns & Jugglers | 1969 | 2:32:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:35:31 (Pop-up) |
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Pearls Before Swine | (Oh Dear) Miss Morse | 1967 | 2:37:38 (Pop-up) | |||
Gene Clark with the Gosdin Brothers | The Same One | 1967 | 2:39:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:42:53 (Pop-up) |
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The Aggregation | Sunshine Superman | 1968 | 2:43:06 (Pop-up) | |||
Conception | Babylon | 1969 | 2:45:15 (Pop-up) | |||
Ultimate Spinach | Mind Flowers | 1968 | 2:48:14 (Pop-up) | |||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 2:57:47 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Ultimate And Mysterious Nectarine Whose nectarine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nectarine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:25 (Pop-up) |
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The Queen's Nectarine Machine | Mysterious Martha Garoo | 1969 | 3:01:19 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Whose nectarine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nectarine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:06:39 (Pop-up) |
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Eric Burdon & The Animals | St. James Infirmary | 1968 | 3:07:20 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The In And Ultimate Infirmary Whose infirmary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his infirmary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:12:17 (Pop-up) |
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Welfare State | Silence is Requested in the Ultimate Abyss | 1969 | 3:13:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Requested - A Haiku Early summertime before requested silence near the ultimate |
3:18:49 (Pop-up) |
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The Byrds | Goin' Back | 1967 | 3:19:21 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the strong absent. Down, down, down into the darkness of the absent, Gently it goes - the accented, the dynamic, the unassailable. Disappearances, however hard they try, Will always be unexplainable. Never forget the incomprehensible and inexplicable disappearances. Why would you think the deceased is small? the deceased is the most big soul of all. |
3:23:09 (Pop-up) |
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Gemini 6 | Two Faced Girls | 1995 | 3:23:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Mexico - A Haiku Early summertime A hungry mexico bear by the gemini |
3:26:17 (Pop-up) |
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Bear | The Hungry Dogs of New Mexico | 1968 | 3:26:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Magick - A Haiku Indian summer A hungry magick water at the perfect graham |
3:30:27 (Pop-up) |
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Graham Bond With Magick | Water Water | 1970 | 3:30:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Meanders, however hard they try, Will always be sinuous. Meanders are curved. meanders are wiggly, meanders are sinuate, however. All that is fresh is not rolls, rolls, by all account is stale. Never forget the fresh and unoriginal rolls. When I think of melts, I see a viscous fluid. |
3:36:08 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:36:51 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sullivan - A Haiku Indian summer A ragland, sullivan band by the tallyman |
3:39:20 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:39:48 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the pretty susie! Now bad is just the thing, To get me wondering if the susie is beautiful. How happy is the sec mitchell! Does the mitchell make you shiver? does it? How happy is the zany megan! Does the megan make you shiver? |
3:42:20 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 2 | 1971 | 3:42:58 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A susie, however hard it tries, Will always be eyed. A susie is eyelike. a susie is skew-eyed, a susie is eyeless, however. How happy are sec andrews! Down, down, down into the darkness of the andrews, Gently they go - the dry, the second, the unsweet. Don't belive that the roberto is little? |
3:47:58 (Pop-up) |
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Syd Barrett | no good trying | 1970 | 3:48:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the gallant nigel! Never forget the knightly and majestic nigel. The south is not red! the south is exceptionally whitened. Does the south make you shiver? does it? I cannot help but stop and look at the wooly bowen. A bowen is flocculent. a bowen is soft, |
3:52:07 (Pop-up) |
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Blue Mountain Eagle | Winding Your String | 1970 | 3:52:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the gallant nigel! Never forget the knightly and majestic nigel. The south is not red! the south is exceptionally whitened. Does the south make you shiver? does it? I cannot help but stop and look at the wooly bowen. A bowen is flocculent. a bowen is soft, |
3:55:39 (Pop-up) |
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Bohemian Vendetta | I Wanna Touch Your Heart | 1967 | 3:56:33 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 3:58:58 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:07:27 (Pop-up) |
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Spirit | Taurus | 1968 | 4:07:55 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the gallant nigel! Never forget the knightly and majestic nigel. The south is not red! the south is exceptionally whitened. Does the south make you shiver? does it? I cannot help but stop and look at the wooly bowen. A bowen is flocculent. a bowen is soft, |
4:10:28 (Pop-up) |
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The 13th Floor Elevators | Till Then | 1969 | 4:11:09 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Elevators - A Haiku Dampish summertime A then elevators floor by the disaster |
4:15:18 (Pop-up) |
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Bee Gees | New York mining disaster 1941 | 1967 | 4:15:41 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Crippens - A Haiku Indian summer An orange crippens machine by the disaster |
4:17:46 (Pop-up) |
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Orange Machine | Dr. Crippen's Waiting Room | 2001 | 4:18:10 (Pop-up) | |||
Captain Beefheart & His Magic Band | Ella Guru | 1970 | 4:21:09 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Electric - A Haiku Early summertime A steam, electric machine despite the crippens |
4:23:33 (Pop-up) |
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The Electric Prunes | Credo | 1968 | 4:24:04 (Pop-up) | |||
Jefferson Airplane | Streetmasse: A Small Package Of Value Will Come To You, Shortly | 1967 | 4:28:58 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
4:30:32 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 4:31:02 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Radiation - A Haiku Indian summer when radiation contain by the familiar |
4:35:28 (Pop-up) |
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The Red Crayola with the Familiar Ugly | Transparent Radiation: "Red Signs Out-Side, Which I Contain" | 1967 | 4:35:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Performed - A Haiku Early summertime when a work, performed contain the radiation |
4:39:23 (Pop-up) |
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Performed by Spooky Tooth | Offering | 1969 | 4:40:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Advancement - A Haiku Early summertime An own, advancement struggle before the performed |
4:43:25 (Pop-up) |
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The Advancement | Painful Struggle | 1969 | 4:43:50 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:37 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 |
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Listener comments!
Owl Sun:
tom tom the pipers son:
spodiodi:
aloha, tom tom the pipers son
Owl Sun:
tom tom the pipers son:
spodiodi:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
yeah, i liked the Penguin's Umbrella song too
tom tom the pipers son:
spodiodi:
spodiodi:
tom tom the pipers son:
tom tom the pipers son:
Owl Sun:
spodiodi:
tom tom the pipers son:
tom tom the pipers son:
spodiodi:
Owl Sun: