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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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December 4, 2022: All Jim Hall
Your whole Stork Club dance-card is filled with Jim Hall today: one of the definitive exponents of jazz guitar from the early fifties, on through to this decade. An ingenious composer, a sympathetic accompanist, and one who never stopped growing and changing throughout - who stylistically and creatively travelled as far as any guitarist ever did.
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Artist | Track | Album | Comments | Images | Approx. start time |
---|---|---|---|---|---|
Jim Hall | The Theme | Live. Vol. 2-4, Toronto 1975 | Bass, – Don Thompson; Drums – Terry Clarke; Guitar – Jim Hall - - recorded live on June 13th, 1975 at Bourbon Street, Toronto, Ontario, Canada | ||
Chico Hamilton Quintet | The Squimp | Chico Hamilton Quintet In Hi-Fi | Bass – Carson Smith; Cello – Fred Katz; Drums – Chico Hamilton; Guitar – Jim Hall - - recd: Los Angeles, 10 & 13 February 1956 | 0:06:20 (Pop-up) | |
Jim Hall Trio | This Is Always | Jazz Guitar | Jim Hall – guitar • Carl Perkins – piano • Red Mitchell – double bass • Recorded • January 10 & 24, 1957 • • Los Angeles, California • | 0:08:10 (Pop-up) | |
Jim Hall, Joe Lovano, George Mraz, Lewis Nash | Feel Free | Grand Slam: Live at the Regattabar, Cambridge, Ma | Bass – George Mraz; Drums – Lewis Nash; Guitar – Jim Hall; Tenor Saxophone, Soprano Saxophone, Alto Clarinet – Joe Lovano - - - - - Recorded at the Regattabar, The Charles Hotel, Cambridge, Massachusetts, January 20-22, 2000 | 0:10:58 (Pop-up) | |
Art Farmer Quartet Featuring Jim Hall | Swing Spring | Live At The Half-Note | Art Farmer - flugelhorn • Jim Hall - guitar • Steve Swallow - bass • Walter Perkins - drums • Recorded • December 5, 6 & 7, 1963 • Half Note Club, New York City | 0:17:23 (Pop-up) | |
Zoot Sims | Choice Blues | Choice | Bass – Monte Budwig; Drums – Mel Lewis; Guitar – Jim Hall; Tenor Saxophone – Zoot Sims . . Side B recorded Hollywood, California in March, 1959 | 0:23:21 (Pop-up) | |
DJ Hall Pass Monitor | 0:27:44 (Pop-up) | ||||
Ben Webster | Caravan | At The Renaissance | Ben Webster - tenor saxophone • Jim Hall - guitar • Jimmy Rowles - piano • Red Mitchell - bass • Frank Butler - drums • - - Recorded October 14, 1960 The Renaissance, Hollywood, California | 0:33:17 (Pop-up) | |
Jim Hall | Circus Dance | Textures | Bass – Scott Colley Drums – Terry Clarke Flugelhorn – Claudio Roditi Guitar, Composed By, Arranged By – Jim Hall Soprano Saxophone – Joe Lovano Steel Drums – Derek DiCenzo Trombone – Jim Pugh Trumpet – Ryan Kisor - - - Recorded in Clinton Recording Studio A, New York City, September 17-19, 1996 | 0:43:34 (Pop-up) | |
Kronos Quartet | Five | Music Of Bill Evans | Arranged By, Adapted By – Tom Darter; Cello – Joan Jeanrenaud; Viola – Hank Dutt; Violin [First] – David Harrington; Violin [Second] – John Sherba - - - Recorded Fall, 1985 | 0:47:55 (Pop-up) | |
Jim Hall | Entre Nous | Panorama: Live at the Village Vanguard | Jim Hall – electric guitar • • Slide Hampton – trombone • Scott Colley – double bass • Terry Clarke – drums • Recorded • December 4 - 8, 1996 • Village Vanguard, New York City | 0:50:33 (Pop-up) | |
Bob Brookmeyer | A Felicidade | Trombone Jazz Samba | Bob Brookmeyer - piano • Gary McFarland - vibraphone • Jim Hall, Jimmy Raney - guitar • Willie Bobo-drums, Carmen Costa- cabasa, Jose Paulo - tambourine • Recorded • August 21 & 23 and September 14, 1962 • New York City | 0:55:01 (Pop-up) | |
Paul Desmond Quartet with Jim Hall | Bossa Antigua | Bossa Antigua | Paul Desmond – alto saxophone • Jim Hall – guitar • Eugene Wright • Connie Kay – drums Recorded July-August, 1964 at Webster Hall, NYC | 0:58:13 (Pop-up) | |
Jim Hall - Ron Carter | Autumn Leaves | Alone Together | Jim Hall – guitar • Ron Carter – bass • Recorded live at the "Jazz Adventures" concert at the Playboy Club, New York City, August 4, 1972 | 1:02:47 (Pop-up) | |
Bill Evans and Jim Hall | Romain | Undercurrent | Bill Evans (piano); Jim Hall (guitar). Recorded at Soundmakers, New York, New York on April 24 and May 14, 1962 | 1:09:39 (Pop-up) | |
John Lewis | Piece For Guitar & Strings | Jazz Abstractions | Jazz Abtractions dedicated to the memory of Scott LaFaro Recorded: December 19 & 20, 1960 NYC | 1:14:57 (Pop-up) | |
DJ Really Halls Off | 1:21:21 (Pop-up) | ||||
Charlie Haden and Jim Hall | In The Moment | Charlie Haden - Jim Hall | Charlie Haden — bass • Jim Hall — guitar • Recorded • July 2, 1990 • at • Montreal International Jazz Festival, Canada | 1:26:40 (Pop-up) | |
Jim Hall | Swan Lake | Studio Trieste | Chet Baker – trumpet, flugelhorn • Jim Hall – guitar • Hubert Laws – flute • Jorge Dalto – keyboards • Steve Gadd – drums • Sammy Figueroa – percussion • Don Sebesky – arranger - - Recorded • March and April 1982 • • Van Gelder Studio, Englewood Cliffs, NJ | 1:33:39 (Pop-up) | |
Jim Hall | Whisper Not | By Arrangement | Drums – Terry Clarke; Flugelhorn – Tom Harrell; Guitar – Jim Hall; Horn – Alex Brofsky; Trombone – Jim Pugh - - - - Recorded in Clinton Recording, Studio A, New York City, January 12-14, and March 13, 1998 | 1:42:17 (Pop-up) | |
Jim Hall | Careful | Where Would I Be? | Jim Hall - guitar; • Benny Aronov - piano, electric piano: • Malcolm Cecil - bass ; • Airto Moreira - drums, percussion • Recorded • July 1971 • Studio • Mediasound Studios, NYC | 1:47:57 (Pop-up) | |
Jim Hall | Bermuda Bye Bye | Commitment | Jim Hall − guitar; Terry Clarke − drums; • Eroll Bennett − percussion • Recorded • June 1, 10, 11, 21 & 22 and July 1, 1976 | 1:52:50 (Pop-up) | |
Ella Fitzgerald | Gone with the Wind | Mack the Knife: Ella in Berlin | Ella Fitzgerald – vocals • Paul Smith – piano • Jim Hall – guitar • Wilfred Middlebrooks – double bass • Gus Johnson – drums. - - - • Recorded February 13, 1960 live at Deutschlandhalle, West Berlin, Germany with The Paul Smith Quartet | 1:58:50 (Pop-up) | |
Jim Hall | Purple Haze | Jazzpar Quartet + Four | Bass – Thomas Ovesen; Drums – Terry Clarke; Guitar – Jim Hall; Strings – The Zapolski Quartet: Alexander Zapolski, Jacob Soelberg, Kathrine Reinhold-Bundgaard, Vanja Louro; Tenor Saxophone – Chris Potter - - Recorded live in Copenhagen in April 1998 as part of the Jazzpar prize project | 2:01:13 (Pop-up) | |
The Hampton Hawes Quartet | Broadway | All Night Session! | Bass – Red Mitchell; Drums – Buzz Freeman; Guitar – Jim Hall; Piano – Hampton Hawes - - recorded November 12, 1956 at Contemporary's Studios in Los Angeles | 2:08:08 (Pop-up) | |
DJ Keel-Halled | 2:14:59 (Pop-up) | ||||
Herbie Hancock | Bring Down The Birds | Blow-Up | Herbie Hancock - piano, melodica • Freddie Hubbard - trumpet • Joe Newman - trumpet • Phil Woods - alto saxophone • Joe Henderson - tenor saxophone • Jimmy Smith - organ • possibly Paul Griffin - organ • Jim Hall - guitar • Ron Carter - bass • Jack DeJohnette - drums - - - - Recorded Late 1966 (except #7) New York City | 2:19:42 (Pop-up) | |
Art Farmer & Jim Hall | Big Blues | Big Blues | Art Farmer - flugelhorn • Jim Hall - guitar • Michael Moore - bass • Steve Gadd - drums • Mike Mainieri - vibraphone • David Matthews - arranger • Recorded • February 2 & 3, 1978 • • Electric Lady Studios, New York City | 2:21:29 (Pop-up) | |
Eric Dolphy & John Lewis | Afternoon In Paris | Play Kurt Weill | Alto Saxophone – Eric Dolphy ; Arranged By, Written-By –John Lewis ; Baritone Saxophone – Jimmy Giuffre ; Bass – George Duvivier ; Drums – Connie Kay ; French Horn – Gunther Schuller ; Guitar – Jim Hall ; Piano – John Lewis ; Tenor Saxophone – Benny Golson ; Trumpet – Herb Pomeroy - recorded in New York, September 9 1960 | 2:28:46 (Pop-up) | |
Jim Hall | Unfinished Business, based on 'Paloma Azul' | Concierto | • Jim Hall – guitar, acoustic guitar • Paul Desmond – alto saxophone • Chet Baker – trumpet • Roland Hanna – piano • Ron Carter – upright bass • Steve Gadd – drums recorded on April 23, 1975 | 2:38:43 (Pop-up) | |
Jim Hall w/Dave Holland | Sam Jones | Jim Hall & Basses | JIM HALL acoustic and electric guitars, DAVE HOLLAND bass; Recorded January 7 & 8, 2001 | 2:43:20 (Pop-up) | |
Jim Hall Trio Featuring Tom Harrell | Something Tells Me | These Rooms | Bass – Steve LaSpina; Drums – Joey Baron; Flugelhorn – Tom Harrell; Guitar – Jim Hall; - - — Recorded at Sorcerer Sound, New York City on February 9-10, 1988 | 2:46:31 (Pop-up) | |
Jim Hall Quartet | Why Not Dance? [J.Hall] | S. Margherita Ligure, July 13, 2005 | EDIT THIS: Jim Hall,guitar; Terry Clarke,drums - rec. live in S.Margherita Ligure (Ge), Italy, on July 13, 2005 | 2:51:40 (Pop-up) | |
Jim Hall & Bill Frisell | All Across The City | Duo | recorded at Tony Scherr's House. Disc 2 recorded at Sear Sound, NYC. —2008 | 2:56:20 (Pop-up) | |
DJ Hall in the Head | 3:03:40 (Pop-up) | ||||
Jim Hall | Street Dance | Dedications & Inspirations | Dedicated To Sonny Rollins - - Album Cover – Henri Matisse Guitar, Effects – Jim Hall - -Recorded at the Power Station, Studio A, New York City, October 23-24, 1993 | 3:09:49 (Pop-up) | |
Jim Hall | Canto Neruda | Magic Meeting | Bass – Scott Colley; Drums – Lewis Nash; Guitar – Jim Hall - - Recorded live at the Village Vanguard, New York, NY, April 30 through May 2, 2004 | 3:14:30 (Pop-up) | |
The Jimmy Giuffre 3 | The Swamp People | Trav'lin' Light | Baritone Saxophone – Jimmy Giuffre; Guitar – Jim Hall, Trombone – Bob Brookmeyer; —— Album recorded on January 20, 21 and 23, 1958 | 3:21:03 (Pop-up) | |
Paul Desmond Quartet with Jim Hall | When Joanna Loved Me | Easy Living | Paul Desmond - alto saxophone • Jim Hall - guitar • Eugene Wright - bass • Connie Kay - drums recorded July 14, 1964 | 3:26:38 (Pop-up) | |
Helen Merrill | While We're Young | A Shade of Difference | Bass – Ron Carter; Composed By – Alec Wilder, Morty Palitz; Drums – Elvin Jones; Guitar – Jim Hall; Lyrics By – William Engvick - - 1968 | 3:32:21 (Pop-up) | |
Jim Hall & Pat Metheny | Into the Dream | Jim Hall & Pat Metheny | Jim Hall – electric guitar • Pat Metheny – electric, acoustic, fretless acoustic, and 42-string Pikasso guitar Recorded at Right Track Studios, New York, July 30-31, 1998, and Manchester Craftmen's Guild, Pittsburg, Pennsylvania, August 1-2, 1998 | 3:35:10 (Pop-up) | |
Stan Getz | Manha De Carnival (Morning of Carnival) | Big Band Bossa Nova | Stan Getz - tenor saxophone • Doc Severinsen, Bernie Glow or Joe Ferrante and Clark Terry or Nick Travis - trumpet • Ray Alonge - French horn • Bob Brookmeyer or Willie Dennis - trombone • Tony Studd - bass trombone • Gerald Sanfino or Ray Beckenstein - flute • Ed Caine - alto flute • Ray Beckenstein and/or Babe Clark and/or Walt Levinsky - clarinet • Romeo Penque - bass clarinet • Jim Hall - unamplified guitar • Hank Jones - piano • Tommy Williams - bass • Johnny Rae - drums • José Paulo - tambourine • Carmen Costa - cabasa • Gary McFarland - arranger, conductor • recorded at the CBS 30th Street Studio in New York City on August 27 and 28, 1962 | 3:38:07 (Pop-up) | |
Sonny Rollins | The Bridge | The Bridge | Sonny Rollins – tenor saxophone • Jim Hall – guitar • Bob Cranshaw – bass • Ben Riley – drums - -rec’d: February 14, 1962 | 3:43:54 (Pop-up) | |
Jim Hall | Young One, For Debra | It's Nice To Be With You (Jim Hall In Berlin) | Jim Hall - guitar • Jimmy Woode - bass • Daniel Humair - drums • Recorded June 27/28, 1969 at Teldec Studio Berlin | 3:49:54 (Pop-up) | |
DJ Halled Away | 3:54:18 (Pop-up) |
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Listener comments!
monkeyz:
listener james from westwood:
Stork:
Stork:
WR:
Yvang:
Stork:
Stork:
chresti:
fred:
Stork:
Stork:
Wendy del Formaggio:
Stork:
Stork:
doctorjazz:
fred:
Stork:
doctorjazz:
Stork:
chresti:
Wendy del Formaggio:
fred:
Jeff Golick:
Stork:
Wendy del Formaggio:
monkeyz:
Wendy del Formaggio:
chresti:
monkeyz:
Wendy del Formaggio:
WR:
Hi Stork and drummer streamers. I'm here to have my Hall pass validated.
monkeyz:
Wendy del Formaggio:
Stork:
fred:
chresti:
monkeyz:
fred:
Wendy del Formaggio:
fizz:
Sem:
Greets, Storkenmeister, and Clubbers, and the like.
Wendy del Formaggio:
monkeyz:
chresti:
monkeyz:
chresti:
Wendy del Formaggio:
Uncle Michael:
monkeyz:
Michael 98145:
Hello, All.
Stork:
Stork:
fizz:
monkeyz:
Sem:
fizz:
Stork:
Michael 98145:
Stork:
Uncle Michael:
Uncle Michael:
Stork:
monkeyz:
Stork:
chresti:
fizz:
abbazabba:
Michael 98145:
abbazabba:
Stork:
Stork:
monkeyz:
Revolution Rabbit Nov63:
James Stanley Hall
December 4, 1930 – December 10, 2013
' was an American jazz guitarist, composer and arranger '...
Stork:
Wendy del Formaggio:
Wendy del Formaggio:
doctorjazz:
fred:
Stork:
David (in London):
Evening Stork and assembled Club groovers.
Revolution Rabbit Nov63:
doctorjazz:
doctorjazz:
Stork:
coelacanth∅:
doctorjazz:
Listening Out There:
Stork:
Stork:
fred:
David (in London):
Sem:
coelacanth∅:
doctorjazz:
(that's it-take it or leave it).
Stork:
doctorjazz:
doctorjazz:
Wendy del Formaggio:
coelacanth∅:
Stork:
Stork:
coelacanth∅:
abbazabba:
Dean:
Jim Hall recorded a time or two on Venus.
The Toni Frissell photograph has appeared on a number of album covers, including one from Deutsche Grammophon: https://www.pinterest.com/tomshieh/weeki-wachee-spring-florida-album-covers/
adamdoesit:
Stork:
coelacanth∅:
coelacanth∅:
David (in London):
fizz:
abbazabba:
Revolution Rabbit Nov63:
adamdoesit:
Stork, let's mix it up a little. How about a Hall Effect?* Do be careful, though. I tried making one at home, misjudged the current, and set my teeth on fire. Lovely aftertaste though.
* Hall Effect
2oz Glen Passaic
(2) car batteries, connected in series
(2) large neodymium magnets
two-handled copper cup
jumper cables
Pour Glen Passaic into copper cup and place between neodymium magnets, with poles facing perpendicular to handles of cup. Connect battery leads to cup handles, and attempt to catch Glen Passaic in mouth when it jumps from the glass in an outraged plasma.
David (in London):
Sem:
Suck it, vapers.
adamdoesit:
monkeyz:
Uncle Michael:
monkeyz:
chresti:
David (in London):
Sem:
David (in London):
Stork:
Stork:
fred:
Sem:
www.imdb.com...
David (in London):
fred:
Revolution Rabbit Nov63:
But they got both JeffBeck & JimmyPage.
Dean:
Revolution Rabbit Nov63:
Mxter Baba:
Stork:
Bri:
David (in London):
fizz:
adamdoesit:
Baba beex!
fred:
Mxter Baba:
fred, so good to see you here today
Mxter Baba:
Mxter Baba:
adamdoesit:
If I'd seen a copy of Dolphy and Lewis play Weill when I was twenty, I'd have gobbled it up. I was snooty af, but not wrong.
fred:
adamdoesit:
Stork:
fred:
Stork:
adamdoesit:
Stork:
fred:
adamdoesit:
fred:
Revolution Rabbit Nov63:
abbazabba:
Revolution Rabbit Nov63:
fizz:
Stork:
doctorjazz:
Hall said he was impressed with Metheny, both his chops and the gadgets, and I believe that inspired him to incorporate them (electronics) in his playing. Not sure he was 100%
Comfortable with it, but cool he kept growing.
Ok, thanks, Stork, catch up with the test tomorrow!
Bye all!
David (in London):
doctorjazz:
Michael 98145:
Revolution Rabbit Nov63:
Revolution Rabbit Nov63:
coelacanth∅:
Stork:
coelacanth∅:
Michael 98145:
Stork:
fred:
Sem:
www.ultimate-guitar.com...
adamdoesit:
fizz:
Sem:
coelacanth∅:
fizz:
coelacanth∅:
adamdoesit:
chresti:
fizz:
Stork:
adamdoesit:
Thank you Herr Doktor DJ Stork!
Sem:
coelacanth∅:
i'm impressed.
fizz:
Stork:
Stork:
Malcontent:
Michael 98145:
Revolution Rabbit Nov63:
Blessings to you & yours docjazz & all.
chresti:
adamdoesit:
chresti:
coelacanth∅:
enjoy your time away!
Sem:
chresti:
Yvang:
Revolution Rabbit Nov63:
Stork:
Malcontent:
David (in London):
Stork:
Stork:
Stork: