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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:32 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:58 (Pop-up) | ||||
Bee Gees | I Started A Joke | 1968 | 0:03:47 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A derek, however hard it tries, Will always be hapless. Down, down, down into the darkness of the derek, Gently it goes - the wretched, the miserable, the pitiful. How happy is the jean bernard! Does the bernard make you shiver? does it? One afternoon I said to myself, |
0:06:50 (Pop-up) |
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The Velvet Underground & Nico | All Tomorrow's Parties | 1967 | 0:07:31 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Underground - A Haiku Wickedness autumn An active, underground free out of invention |
0:13:27 (Pop-up) |
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The Mothers Of Invention | Absolutely Free | 1968 | 0:14:08 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
One afternoon I said to myself, "Why aren't girls more rich?" Now slummy is just the thing, To get me wondering if girls are mediocre. The secrecy that's really thee, Above all others is the mum. Does the mum make you shiver? does it? |
0:18:35 (Pop-up) |
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The Asylum Choir | Episode Containing 3 Songs: Mr. Henry The Clown | 1968 | 0:19:08 (Pop-up) | |||
The Mascots | I Want To Live | 1966 | 0:21:05 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Containing - A Haiku Overcast autumn A lead, dark containing clown near the episode |
0:23:52 (Pop-up) |
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Ill Wind | Dark World | 1968 | 0:24:34 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
World - A Haiku Threatening autumn An ancient, moody world part whilst watching the part |
0:28:12 (Pop-up) |
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The Moody Blues | Have You Heard Part II | 1969 | 0:28:34 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:30:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Discontent - A Haiku Late arctic autumn why discontent discontent watching the figures |
0:33:38 (Pop-up) |
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Figures of Light | Winter of Our Discontent | 0:34:15 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Discontent, Part 2 - A Haiku Depressing autumn where discontent discontent after the figures |
0:35:48 (Pop-up) |
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Ron Geesin Roger Waters | Give Birth to a Smile | 1970 | 0:36:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Instant Request |
0:39:12 (Pop-up) |
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country joe And The Fish | Bass Strings | 1966 | Requested by: bill hanke | 0:39:14 (Pop-up) | ||
Procol Harum | Something Following Me | 1968 | 0:43:07 (Pop-up) | |||
Yellow Hand | Down To The Wire | 1970 | 0:46:42 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Sleeping - A Haiku Wickedness autumn A sleeping sleeping machine at the old machine |
0:49:05 (Pop-up) |
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The Soft Machine | Why Are We Sleeping? | 1968 | 0:49:49 (Pop-up) | |||
Jefferson Airplane | Greasy Heart | 1968 | 0:55:14 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:58:28 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sleeping, Part 2 - A Haiku Overcast autumn A sleeping sleeping machine watching the morning |
1:00:33 (Pop-up) |
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Morning Glory | Need Someone | 1968 | 1:01:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:05:44 (Pop-up) |
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The Litter | Feeling | 1969 | 1:05:57 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Yesterdays - A Haiku Darkening autumn An own, yesterdays people near the tomorrow |
1:08:46 (Pop-up) |
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Lothar and the Hand People | Today Is Only Yesterday's Tomorrow | 1969 | 1:09:11 (Pop-up) | |||
The Red Krayola | Listen To This | 1968 | 1:14:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Yeses, however hard they try, Will always be dear. Are you upset by how near they are? Does it tear you apart to see the yeses so earnest? The meaning is not unemotional! the meaning is exceptionally unemotional. Now low-down is just the thing, To get me wondering if the meaning is unemotional. |
1:15:00 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 1:15:54 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:18:29 (Pop-up) |
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KAK | Rain | 1969 | 1:18:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:20:41 (Pop-up) |
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Salvation | Yuk Yuk | 1968 | 1:20:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Pay attention to the spain, the spain is the most contemporary european country of all. Never forget the coeval and synchronous spain. An arsenic, however hard it tries, Will always be little. An arsenic is tight. an arsenic is weensy, an arsenic is teentsy, however. How happy is the wooly electricity! |
1:28:21 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 1:29:01 (Pop-up) | |||
Toni Basil | I'm 28 | 2017 | 1:32:27 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Kupferberg - A Haiku Early cold autumn before kupferberg peter near the kupferberg |
1:34:50 (Pop-up) |
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Tuli Kupferberg, sung by Kupferberg and Viki Pollon with Peter Rawson on guitar. | Love And Ashes by | 1966 | 1:35:22 (Pop-up) | |||
The Mothers Of Invention | It's His Voice On The Radio | 1968 | 1:38:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Kupferberg, Part 2 - A Haiku Darkening autumn before sung kupferberg leave by the kupferberg |
1:40:06 (Pop-up) |
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Griffin | Don't Leave Me | 1970 | 1:40:52 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
How happy are eternal anyways! Do anyways make you shiver? do they? All that is less is not tho, tho, by all account is more. Down, down, down into the darkness of the tho, Gently it goes - the additional, the less, the more than. Pay attention to the crap, |
1:43:23 (Pop-up) |
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The Moody Blues | The Voyage | 1969 | 1:44:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Spirit - A Haiku Overcast autumn A same, sweet spirit spirit above the stella |
1:48:11 (Pop-up) |
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Spirit | Sweet Stella Baby | 1969 | 1:48:32 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Montreal - A Haiku Darkening autumn A sweet montreal spirit an infinity |
1:51:23 (Pop-up) |
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Montreal | Infinity | 1970 | 1:51:45 (Pop-up) | |||
Procol Harum | Cerdes (outside the gates of) | 1968 | 1:59:37 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Campbell - A Haiku Overcast autumn A general, campbell like by the fernando |
2:04:29 (Pop-up) |
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The Misunderstood featuring Glenn "Fernando" Campbell | Never Had A Girl (Like You Before) | 1969 | 2:05:00 (Pop-up) | |||
Strawberry Alarm Clock | Black Butter, Present | 1968 | 2:09:23 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Campbell, Part 2 - A Haiku Late frigid autumn A general, campbell feel near the fernando |
2:11:26 (Pop-up) |
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the stooges | I Feel All Right (1970) | 1970 | 2:12:12 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Because I could not fly for gees, they did kindly fly for me. Gees, gees, every where, Yet not a drop to fly. I cannot help but stop and look at the double ooo. Does the ooo make you shiver? does it? A whoo, however hard it tries, |
2:15:26 (Pop-up) |
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The Asylum Choir | Black Sheep Boogaloo | 1968 | 2:17:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Because I could not fly for gees, they did kindly fly for me. Gees, gees, every where, Yet not a drop to fly. I cannot help but stop and look at the double ooo. Does the ooo make you shiver? does it? A whoo, however hard it tries, |
2:19:35 (Pop-up) |
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The Serpent Power | Up And Down | 1967 | 2:20:10 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the miss she! Does the she make you shiver? does it? One afternoon I said to myself, "Why aren't ladies more younger?" Down, down, down into the darkness of the ladies, Gently they go - the big, the younger, the senior. I cannot help but stop and look at the big missy. |
2:23:42 (Pop-up) |
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Morning Glory | Hey Little Girl | 1968 | 2:24:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The go away that's really very, Above all others is the absent. Never forget the identical and selfsame absent. I cannot help but stop and look at the above left. Does the left make you shiver? does it? Just like half interests, is the forgotten. Never forget the wily and clever forgotten. |
2:26:39 (Pop-up) |
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The Litter | Breakfast At Gardenson's | 1969 | 2:27:16 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the single source. Never forget the unwed and unwedded source. A pmc, however hard it tries, Will always be hydrochloric. Does the pmc make you shiver? does it? The zany byte sings like an extra half A byte is cuckoo. a byte is cockamamy, |
2:30:14 (Pop-up) |
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SRC | Black Sheep | 1968 | 2:30:56 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Yardbirds - A Haiku Threatening autumn For an old, still yardbirds still betrayed by the still |
2:34:36 (Pop-up) |
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The Yardbirds | Still I'm Sad | 1997 | 2:35:07 (Pop-up) | |||
The Red Krayola | Save The House | 1968 | 2:38:49 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Millennium - A Haiku Early cold autumn A still millennium still beyond the yardbirds |
2:40:11 (Pop-up) |
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KAK | Electric Sailor | 1969 | 2:41:36 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Electric - A Haiku Last dampness autumn A piezo, electric down above the flowers |
2:44:37 (Pop-up) |
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Hearts and Flowers | Tin Angel (Will You Ever Come Down) | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:44:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at green trees. Down, down, down into the darkness of the trees, Gently they go - the new, the colored, the uncured. How happy are heavenly perfumes! Now celestial is just the thing, To get me wondering if perfumes are paradisiac. Ferns, however hard they try, Will always be little. |
2:49:27 (Pop-up) |
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Lothar and the Hand People | Space Hymn | 1969 | 2:50:39 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:57:43 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
People - A Haiku Late freezing autumn A poor, last people people after the lothar |
3:00:31 (Pop-up) |
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Move | The Last Thing On My Mind | 1970 | 3:00:58 (Pop-up) | |||
The Grateful Dead | Dark Star | 1968 | 3:08:32 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Zonophone - A Haiku Last coldness autumn A regal zonophone move by the magdalene |
3:11:11 (Pop-up) |
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Procol Harum | Magdalene (My Regal Zonophone) | 1968 | 3:11:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:15:40 (Pop-up) |
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Salvation | Cinderella | 1968 | 3:15:54 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the white been. Never forget the bloodless and blank been. I saw the the upper vanish of my generation destroyed, How I mourned the absent. Never forget the superior and high absent. How happy are fat prefaces! Now double-chinned is just the thing, To get me wondering if prefaces are gross. |
3:18:39 (Pop-up) |
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The Bob Crewe Generation Orchestra | Love Love Love Drags Me Down (Vocal: The Glitterhouse) | 1968 | 3:19:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Glitterhouse - A Haiku Darkening autumn A northern glitterhouse down by the hemisphere |
3:22:56 (Pop-up) |
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by east of eden | Northern Hemisphere | 1969 | 3:23:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
3:28:26 (Pop-up) |
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Moby Grape | The Lake | 1968 | 3:28:37 (Pop-up) | |||
Vejtables | Anything | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:32:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:34:27 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:34:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy are mythological monsters! Are you upset by how mythologic they are? Does it tear you apart to see the monsters so mythic? creatures are not good! creatures are exceptionally dark. Never forget the vicious and dark creatures. Cherub is, in its way, the heavenly face of baby. A cherub is footling. a cherub is young, |
3:37:23 (Pop-up) |
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Morning Glory | Jelly Gas Flame | 1968 | 3:38:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:43:41 (Pop-up) |
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Gun | Angeline | 1969 | 3:44:02 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:49:31 (Pop-up) |
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Choc | The Devil | 2009 | 3:49:48 (Pop-up) | |||
The Red Krayola | Night Song | 1968 | 3:52:49 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
I saw the the alternative sensation of my generation destroyed, How I mourned the vision. A vision is alternate. a vision is unconventional, a vision is secondary, however. Why would you think the prospect is unlikely? the prospect is the most likely potentiality of all. Now unlikely is just the thing, To get me wondering if the prospect is prospective. |
3:54:39 (Pop-up) |
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Steve Ellis & The Starfires | Looking Thru Me | 1995 | 3:55:28 (Pop-up) | |||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 3:58:13 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
4:05:38 (Pop-up) |
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The Freeborne | Images | 1968 | 4:06:01 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Freeborne - A Haiku Darkening autumn suddenly pushed freeborne tide on the images |
4:09:32 (Pop-up) |
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High Tide | Pushed, But Not Forgotten | 1969 | 4:09:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Picture - A Haiku Threatening autumn A big, pushed picture picture into the motion |
4:15:22 (Pop-up) |
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CAN | Mother Sky (from the Motion Picture "Deep End") | 1970 | 4:15:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A ferrari, however hard it tries, Will always be yellow. A ferrari is unhealthy. a ferrari is irrational, a ferrari is chromatic, however. The camaro is not young! the camaro is exceptionally aging. A camaro is hoary. a camaro is aging, a camaro is grey-haired, however. |
4:30:18 (Pop-up) |
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Syd Barrett | Opel | 1989 | 4:31:11 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
4:37:29 (Pop-up) |
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Salvation | Getting My Hat | 1968 | 4:37:54 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
A ferrari, however hard it tries, Will always be yellow. A ferrari is unhealthy. a ferrari is irrational, a ferrari is chromatic, however. The camaro is not young! the camaro is exceptionally aging. A camaro is hoary. a camaro is aging, a camaro is grey-haired, however. |
4:41:56 (Pop-up) |
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by east of eden | Waterways | 1969 | 4:42:37 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
4:49:27 (Pop-up) |
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Procol Harum | Something Following Me | 1968 | 4:49:39 (Pop-up) | |||
Yellow Hand | Down To The Wire | 1970 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
bill hanke:
bill hanke:
bill hanke:
DarioRosa:
Owl Sun:
DarioRosa:
Captain Beefheart?
The Move?
Every song you play is a surprise and delite. I know about 75% but we are always amazed by what we don’t. Love to you!
Owl Sun:
DarioRosa:
You continue to astound us.
Do you have Autosalvage?
DarioRosa:
DarioRosa:
tom tom the pipers son:
Owl Sun:
tom tom the pipers son:
Owl Sun: