The Night Owl Show with Owl Sun:
Playlist
from January 30, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| The Triangle |
Love Me Thru The Night
|
1969 |
|
0:03:11 (Pop-up) | ||
| The Travel Agency |
Lonely Seabird
|
1968 |
|
0:07:56 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
How happy is the knowest nothing! Does the nothing make you shiver? does it? All that is all is not why, why, by all account is part. Does the why make you shiver? does it? The female that's really cunning, |
|
0:11:06 (Pop-up) |
||
| The Music Asylum |
Million Dollar Bash
|
1970 |
|
0:11:46 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
0:14:48 (Pop-up) |
|||
| Penny Arkade |
Swim
|
1967 |
|
0:15:01 (Pop-up) | ||
| The Factory |
Lightning-Rod Man
|
1966 |
|
0:17:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The left is not large! the left is exceptionally teentsy. Are you upset by how stingy it is? Does it tear you apart to see the left so teentsy? A been, however hard it tries, Will always be jong. Does the been make you shiver? does it? |
|
0:19:49 (Pop-up) |
||
| Episode Six |
I Can See Through You
|
1967 |
|
0:20:42 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Episode - A Haiku Previous winter A whole, through episode flock enjoying the flock |
|
0:24:04 (Pop-up) |
||
| The Flock |
Can't You See (That I Really Love Her)
|
1966 |
|
0:24:26 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Better - A Haiku Previous winter A better better better whilst watching the youre |
|
0:26:56 (Pop-up) |
||
| The Sons Of Adam |
You're A Better Man Than I
|
1966 |
|
0:27:28 (Pop-up) | ||
| The Koobas |
The First Cut Is The Deepest
|
1968 |
|
0:30:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Element - A Haiku Early wintertime A key, element better watching the better |
|
0:33:22 (Pop-up) |
||
| The Element |
Open The Door To Your Mind
|
1967 |
|
0:33:51 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I saw the the hypocritical incline of my generation destroyed, How I mourned the cant. Does the cant make you shiver? does it? I cannot help but stop and look at the yer gonna. Does the gonna make you shiver? does it? The zany lol sings like a temporal hand |
|
0:36:24 (Pop-up) |
||
| The WordD |
You're Gonna Make Me
|
1966 |
|
0:37:00 (Pop-up) | ||
| Herbal Mixture |
Machines
|
1966 |
|
0:38:50 (Pop-up) | ||
| Cyrus Faryar |
Kingdom
|
1971 |
|
0:40:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Omissions, however hard they try, Will always be significant. Down, down, down into the darkness of the omissions, Gently they go - the portentous, the unimportant, the remarkable. prefaces are not innate! prefaces are exceptionally conditioned. Do prefaces make you shiver? do they? |
|
0:45:49 (Pop-up) |
||
| Gun |
Head In The Clouds
|
1969 |
|
0:46:35 (Pop-up) | ||
| Jimmy Takeuchi |
Time Was
|
1970 |
|
0:51:09 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Anticipation - A Haiku Gloomy wintertime For anticipation part despite the offspring |
|
0:53:38 (Pop-up) |
||
| Ron Geesin |
Agitation in Anticipation of Offspring Part "Y"
|
1969 |
|
0:54:18 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
0:58:28 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I saw the the sure hebrew of my generation destroyed, How I mourned the david. Never forget the certain and destined david. How happy is the twin ronald! A ronald is parallel. a ronald is couple, a ronald is duplicate, however. A robert, however hard it tries, Will always be wooly. |
|
1:00:18 (Pop-up) |
||
| Dennis And The Times |
Flight Patterns
|
1967 |
|
1:01:08 (Pop-up) | ||
| Words Of Luv |
I'd Have To Be Outta My Mind
|
1967 |
|
1:04:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Patterns - A Haiku Wicked wintertime A spatial, star patterns flight into the dennis |
|
1:06:59 (Pop-up) |
||
| The Byrds |
So You Want To Be A Rock 'N' Roll Star
|
1967 |
|
1:07:35 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Byrds - A Haiku Dampness wintertime A beautiful, star byrds give enjoying the moon |
|
1:10:31 (Pop-up) |
||
| The Moon |
Give Me More
|
1968 |
|
1:10:58 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
1:13:41 (Pop-up) |
|||
| Cerebrum |
Time's Door (La Puerta Del Tiempo)
|
1970 |
|
1:14:04 (Pop-up) | ||
| The Triangle |
Magic Touch
|
1969 |
|
1:16:52 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
A bradley, however hard it tries, Will always be young. Down, down, down into the darkness of the bradley, Gently it goes - the childlike, the puppyish, the puppylike. Don't belive that the anderson is old? the anderson is young beyond belief. Does the anderson make you shiver? does it? |
|
1:19:47 (Pop-up) |
||
| The Travel Agency |
That's Good
|
1968 |
|
1:20:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Starlites - A Haiku Early wintertime A cant starlites travel near the agency |
|
1:27:30 (Pop-up) |
||
| The Starlites |
I Can't See You
|
1966 |
|
1:27:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Starlites, Part 2 - A Haiku Previous winter before quit starlites blood in spite of the sweat |
|
1:30:35 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
1:31:01 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Children - A Haiku Dampness wintertime A silver children silver despite the review |
|
1:34:30 (Pop-up) |
||
| Front Page Review |
Silver Children
|
1968 |
|
1:34:59 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Children, Part 2 - A Haiku Early wintertime A silver children silver after the review |
|
1:42:29 (Pop-up) |
||
| The Flock |
Hold On To My Mind
|
1966 |
|
1:42:53 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Mourning - A Haiku Early wintertime A full, mourning mourning troll at the perfect troll |
|
1:44:52 (Pop-up) |
||
| The Troll |
Mourning Of Day
|
1968 |
|
1:45:16 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Mourning, Part 2 - A Haiku Darkening winter A half, mourning mourning troll enjoying the troll |
|
1:50:30 (Pop-up) |
||
| Dick St. John |
You Know What I Mean
|
1965 |
|
1:50:55 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
The Mean And Pink Pink Whose pink is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his pink a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:53:25 (Pop-up) |
||
| Pink Floyd |
Pow R. Toc H.
|
1967 |
|
1:54:07 (Pop-up) | ||
| The Beach Boys |
Wild Honey
|
Wild Honey | 1968 |
|
1:58:27 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
Heart - A Haiku Early wintertime why a human, cross heart cross enjoying the cross |
|
2:00:18 (Pop-up) |
||
| Jim & Jean |
Cross My Heart
|
1968 |
|
2:00:47 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Heart, Part 2 - A Haiku Previous winter then a heavy, cross heart cross because of the cross |
|
2:02:45 (Pop-up) |
||
| The Six Deep |
Girl It's Over
|
1967 |
|
2:03:15 (Pop-up) | ||
| The Prime Mover |
When You Made Love To Me
|
1967 |
|
2:05:23 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Fraternity - A Haiku Previous winter A non, fraternity man into the paisley |
|
2:08:01 (Pop-up) |
||
| Fraternity Of Man |
Wispy Paisley Skies
|
1968 |
|
2:08:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Fraternity, Part 2 - A Haiku Darkness wintertime A non, fraternity crash into the paisley |
|
2:10:46 (Pop-up) |
||
| Lyd |
Crash pad
|
1970 |
|
2:11:18 (Pop-up) | ||
| The Grammy Fones |
Now He's Here
|
1967 |
|
2:13:29 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:15:43 (Pop-up) |
|||
| Bobby Jameson |
Know Yourself
|
1967 |
|
2:16:10 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:19:25 (Pop-up) |
|||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:19:38 (Pop-up) | |
| Erik And The Smoke Ponies |
I'll Give You More
|
1967 |
|
2:21:28 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Don't belive that edwards are undemocratic? edwards are democratic beyond belief. Are you upset by how classless they are? Does it tear you apart to see the edwards so republican? All that is uncertain is not corey, corey, by all account is certain. Are you upset by how uncertain it is? Does it tear you apart to see the corey so unsealed? |
|
2:23:28 (Pop-up) |
||
| The Undesyded |
Baby, I Need You
|
1968 |
|
2:24:22 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Undesyded - A Haiku Severe wintertime before undesyded stone on the triangle |
|
2:27:00 (Pop-up) |
||
| The Triangle |
Rolling Stone
|
1969 |
|
2:27:25 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Destruction - A Haiku Dampness wintertime A mass, destruction divine by the butterflys |
|
2:30:12 (Pop-up) |
||
| Thrashing Butterflys Of Divine Happiness, The |
Destruction
|
2011 | 2:30:36 (Pop-up) | |||
| The Travel Agency |
Made For You
|
1966 |
|
2:40:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy are dusty whirlwinds! Now dirty is just the thing, To get me wondering if whirlwinds are dust-covered. I cannot help but stop and look at injurious insects. Are you upset by how harmful they are? Does it tear you apart to see the insects so malign? Don't belive that the hummingbird is big? the hummingbird is little beyond belief. |
|
2:42:40 (Pop-up) |
||
| H.P. Lovecraft |
mobius trip
|
Original Lp - Phillips Records PHS 600-279 | 1968 |
|
2:43:30 (Pop-up) | |
| The Brave New World |
It's Tomorrow
|
1966 |
|
2:46:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
2:48:07 (Pop-up) |
|||
| The Shindogs |
Who Do You Think You Are
|
1966 |
|
2:48:33 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at crucial omissions. Down, down, down into the darkness of the omissions, Gently they go - the deciding, the material, the pivotal. A revised, however hard it tries, Will always be completely. I don't like the fact that it, learned to submit before it knew how to update. All that is little is not omission, |
|
2:50:53 (Pop-up) |
||
| Ultimate Spinach |
Ego Trip
|
1968 |
|
2:51:44 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Ultimate - A Haiku Early wintertime A great, ultimate forest beyond the spinach |
|
2:54:50 (Pop-up) |
||
| The Dirty Filthy Mud |
The Forest Of Black
|
1968 |
|
2:55:12 (Pop-up) | ||
| TSU Tornados |
Getting the Corners
|
TSU Tornados Tracks |
|
2:58:11 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Thorinshield - A Haiku Severe wintertime before thorinshield forest under the forest |
|
3:00:17 (Pop-up) |
||
| Thorinshield |
Life Is A Dream
|
1967 |
|
3:00:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Don't belive that investigators are public? investigators are private beyond belief. Now cloistered is just the thing, To get me wondering if investigators are clannish. Historians, however hard they try, Will always be military. Down, down, down into the darkness of the historians, Gently they go - the unmilitary, the warriorlike, the noncombatant. |
|
3:02:47 (Pop-up) |
||
| The Collectors |
Make It Easy
|
1968 |
|
3:03:47 (Pop-up) | ||
| The Outcasts |
1523 Blair
|
1967 |
|
3:06:23 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
How happy are finest collections! Never forget the top-quality and best collections. I cannot help but stop and look at the automotive memorabilia. Down, down, down into the darkness of the memorabilia, Gently it goes - the moving, the self-propelling, the self-propelled. zany antiques sings like an expensive treasure Never forget the unreasonable and cockamamie antiques. Refresh until you're happy with your poem. |
|
3:08:07 (Pop-up) |
||
| Whatt Four |
Dandelion Wine
|
1967 |
|
3:11:24 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:14:32 (Pop-up) |
|||
| The Head Shop |
Head Shop
|
1969 |
|
3:14:45 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
One afternoon I said to myself, "Why isn't the dumbo more big?" Never forget the wee and narrow dumbo. How happy is the youngest becky! Does the becky make you shiver? does it? The egest that's really zany, Above all others is the crap. |
|
3:17:42 (Pop-up) |
||
| The Raving Madd |
Boundaries
|
1967 |
|
3:18:13 (Pop-up) | ||
| The Liberty Bell |
Recognition
|
1969 |
|
3:20:50 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A cuz, however hard it tries, Will always be funny. A cuz is shady. a cuz is sick, a cuz is mirthful, however. A gawd, however hard it tries, Will always be only. Does the gawd make you shiver? does it? |
|
3:23:31 (Pop-up) |
||
| Sunset Love |
Run To The Sun
|
|
3:24:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Don't belive that beginnings are unhappy? beginnings are happy beyond belief. Are you upset by how prosperous they are? Does it tear you apart to see the beginnings so expansive? Pay attention to the hieroglyph, the hieroglyph is the most egyptian writing of all. Does the hieroglyph make you shiver? does it? |
|
3:26:41 (Pop-up) |
||
| The New Phoenix |
Thanks
|
1968 |
|
3:27:21 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Exceptions - A Haiku Previous winter A few, far exceptions see at the old phoenix |
|
3:30:25 (Pop-up) |
||
| The Exceptions |
As Far As I Can See
|
1966 |
|
3:30:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Exceptions, Part 2 - A Haiku Dampness wintertime A rare, far exceptions see above the mushrooms |
|
3:33:57 (Pop-up) |
||
| Bedlam Four |
Hydrogen Atom (Or Mushrooms Are In)
|
1967 |
|
3:34:21 (Pop-up) | ||
| Alice Cooper |
Titanic Overture
|
Pretties For You | 1969 |
|
3:36:27 (Pop-up) | |
Music behind DJ: George Harrison |
Party Seacombe
|
Mushrooms - A Haiku Early wintertime A magic, same mushrooms bob near the hydrogen |
|
3:37:35 (Pop-up) |
||
| Bob Grimm |
Never Stays The Same
|
|
3:38:09 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Hypodermic - A Haiku Nighttime wintertime For hypodermic needle despite the kapelle |
|
3:41:10 (Pop-up) |
||
| Novaks Kapelle |
Hypodermic Needle - Dedicated to Eric Burdon
|
1968 |
|
3:41:47 (Pop-up) | ||
| The Chambers Brothers |
Uptown
|
1967 |
|
3:44:44 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Hypodermic, Part 2 - A Haiku Previous winter shall hypodermic needle under the kapelle |
|
3:47:30 (Pop-up) |
||
| The Fallen Angels |
Room At The Top
|
1967 |
|
3:48:02 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Elliott - A Haiku Wicked wintertime An old, elliott middle above the middle |
|
3:50:36 (Pop-up) |
||
| Ron Elliott |
Molly In The Middle
|
1969 |
|
3:50:56 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The In And Middle Lament Whose lament is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lament a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:55:01 (Pop-up) |
||
| Layne Martine Jr. |
Surabian Lament
|
|
3:55:52 (Pop-up) | |||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
3:57:31 (Pop-up) | |
| The Shadows |
Late Night Set
|
The Early Years: Their Complete Studio Recordings 1959-1966 |
|
3:59:33 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Dickens - A Haiku Nighttime wintertime A dear, outside dickens tell after the outside |
|
4:03:23 (Pop-up) |
||
| The Dickens |
Inside - Outside
|
1968 |
|
4:03:59 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Jameson - A Haiku Early wintertime A dear, outside jameson dawn beyond the dickens |
|
4:06:21 (Pop-up) |
||
| Bobby Jameson |
See Dawn
|
1967 |
|
4:06:44 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:10:34 (Pop-up) |
|||
| The Myddle Class |
Who Does He Love
|
1967 |
|
4:10:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
4:12:47 (Pop-up) |
|||
| terence |
The Emperor
|
1969 |
|
4:12:58 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at isolated prs. Are you upset by how disjunct they are? Does it tear you apart to see the prs so detached? The lupus that's really associated, Above all others is the sle. Never forget the related and related to sle. Don't belive that the prt is fat-free? the prt is fat beyond belief. |
|
4:17:22 (Pop-up) |
||
| Les (Bel) Kanto |
A Kind Of Breakdown
|
1969 |
|
4:18:06 (Pop-up) | ||
| The Serendipity Singer |
It's Always Somewhere Else
|
1967 |
|
4:20:58 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Kind And Through Breakdown Whose breakdown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his breakdown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:23:24 (Pop-up) |
||
| Episode Six |
I Can See Through You
|
1967 |
|
4:24:18 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Episode - A Haiku Severe wintertime A whole, through episode flock betrayed by the flock |
|
4:27:40 (Pop-up) |
||
| The Flock |
Can't You See (That I Really Love Her)
|
1966 |
|
4:27:59 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:30:27 (Pop-up) |
|||
| Bedpost Oracle |
The Break Of Dawn
|
1970 |
|
4:30:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The response is not unready! the response is exceptionally quick. Never forget the prepared and quick response. The answer that's really quick, Above all others is the retort. Are you upset by how active it is? Does it tear you apart to see the retort so fast? I cannot help but stop and look at the little responding. |
|
4:34:04 (Pop-up) |
||
| The Answers |
Fool Turn Around
|
1965 |
|
4:34:45 (Pop-up) | ||
| The Silver Eagle |
The Astor Disaster (The Tragic Ordeal of Theodore Nobbs)
|
1967 |
|
4:37:15 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Don't belive that reactions are true? reactions are false beyond belief. Never forget the fake and insincere reactions. All that is unethical is not theories, theories, by all account is ethical. Theories are unethical. theories are honorable, theories are moral, however. Don't belive that particulars are large? |
|
4:39:57 (Pop-up) |
||
| The Candymen |
Go And Tell The People
|
1968 |
|
4:40:50 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:43:15 (Pop-up) |
|||
| Velvet Night |
Velvet Night
|
1970 |
|
4:43:37 (Pop-up) | ||
| Candy Store Prophets |
The Time Of Day
|
1966 |
|
4:46:26 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Don't belive that reactions are true? reactions are false beyond belief. Never forget the fake and insincere reactions. All that is unethical is not theories, theories, by all account is ethical. Theories are unethical. theories are honorable, theories are moral, however. Don't belive that particulars are large? |
|
4:48:22 (Pop-up) |
||
| Jeremy & The Satyrs |
In The World Of Glass Teardrops
|
1968 |
|
4:49:10 (Pop-up) | ||
| The Epic Spleandor |
Cowboys And Indians
|
1967 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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