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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
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January 12, 2025: Jane Ira Bloom's Celestial Soundings ... And Dizzy (Nope, The Other One) Reece
Jane Ira Bloom, soprano sax standout from Boston celebrates her 70th, and we'll delve into her long discography, performing with the likes of Bobby Previte, Fred Hersch, Mark(s) Helias and Dresser, Allison Miller...and going back a bit - with Ed Blackwell, Abdul Wadud, Anthony Davis and many others. Jane is the first person to be commissioned by the NASA Art Program, and composed three works for them, and in fact has an asteroid named after her! And the best part is: Jane will be joining us in the chat - live!!
Trumpeter Dizzy Reece from Kingston Jamaica (93 and still kickin'!) moved to London in 1948 and started working with Brit jazz greats like Tubby Hayes and Victor Feldman, and with many great American ex-pats like Don Byas and Kenny Clarke. He began a string of great Blue Note recordings in the late 50's, then turned to more experimental music in the 60's and 70's. Perhaps under-known due to his being a contemporary of Dizzy Gillespie, and playing the same instrument, he's "that other Dizzy." If you don't know him, here's your chance, and if you do... let's dig his joyous racket!
Listen to this show:
MP3 - 128K | Pop-up player!
Artist | Track | Album | Comments | Images | Approx. start time |
---|---|---|---|---|---|
Jane Ira Bloom | Lost in the Stars (dedicated to Ed Blackwell) | Art & Aviation | Jane Ira Bloom – soprano saxophone - book and lyrics by Maxwell Anderson and music by Kurt Weill - Recorded on July 22 & 23, 1992 at Clinton Studios / New York City | 0:00:00 (MP3 | Pop-up) | |
Humble DJ | 0:04:19 (MP3 | Pop-up) | ||||
Jane Ira Bloom | Most Distant Galaxy | Art & Aviation | ('89-commissioned by NASA) - - Jane Ira Bloom – soprano saxophone, live electronics • Rufus Reid – bass • Jerry Granelli – drums, elektro-acoustic percussion • - -Recorded on July 22 & 23, 1992 at Clinton Studios / New York City | 0:09:45 (MP3 | Pop-up) | |
Jane Ira Bloom | Overstars | Modern Drama | Jane Ira Bloom – soprano saxophone & live electronics, alto saxophone • Fred Hersch – piano, Hammond B3 organ • Ratzo Harris – bass, electric bass • Tom Rainey – drums • David Friedman – vibes, marimba, percussion • Isidro Bobadilla – percussion • Recorded February 9–13, 1987 at RCA Studio A (New York City) | 0:18:00 (MP3 | Pop-up) | |
Jane Ira Bloom | Mighty Lights | Mighty Lights | Jane Ira Bloom – soprano saxophone • Fred Hersch – piano • Charlie Haden – bass • Ed Blackwell – drums Recorded November 17–18, 1982 - - Vanguard Studios, NYC | 0:23:37 (MP3 | Pop-up) | |
Bobby Previte | The Passage of the Divine Bird | The 23 Constellations Of Joan Miró (2001 Tzadik Version) | Chimes – John Bacon; Drums [Trap] – Bobby Previte; Electronics, Organ [Hammond] – Wayne Horvitz; Harp – Elizabeth Panzer; Piano – Jamie Saft; Soprano Saxophone – Jane Ira Bloom; Trumpet – Lew Soloff, Ralph Alessi - - - Recorded July 9-14 2001 at Sear Sound, NYC | 0:29:43 (MP3 | Pop-up) | |
Jane Ira Bloom | Alchemy | Meets Jackson Pollock - Chasing Paint | Jane Ira Bloom – soprano saxophone, live electronics • Fred Hersch – piano • Mark Dresser – bass • Bobby Previte – drums • Recorded April 14 and May 3, 2002 at The Studio, NYC | 0:32:39 (MP3 | Pop-up) | |
Jane Ira Bloom | How Are Things in Glocca Morra | Sometimes the Magic | Jane Ira Bloom – soprano saxophone, live electronics • Recorded June 28–29 and July 21, 2000 Current Sound, New York City | 0:41:02 (MP3 | Pop-up) | |
Jane Ira Bloom | Always Hope | The Red Quartets | Jane Ira Bloom – soprano saxophone • Fred Hersch – piano • Mark Dresser – bass • Bobby Previte – drums Recorded May 29, 1997 and January 2–3, 1999 at Acoustic Recording, Brooklyn, NY | 0:44:48 (MP3 | Pop-up) | |
DJ Intrusion | On DJ Peter and The Laughing Clock, today at 6pm ET: Featuring the third installment of Cannonball Adderley’s “Big Man: The Legend of John Henry” starring Joe Williams. | 0:49:32 (MP3 | Pop-up) | |||
Jane Ira Bloom | The Shape of Space | Picturing the Invisible: Focus 1 | Double Bass – Mark Helias; Koto – Miya Masaoka; Soprano Saxophone – Jane Ira Bloom - - - released - 2022 | 0:55:09 (MP3 | Pop-up) | |
Jane Ira Bloom | Light Years Away | Slalom | Jane Ira Bloom – soprano saxophone • Kent McLagan – double bass, electric bass • Tom Rainey – drums, percussion • Fred Hersch – piano • Recorded June 6–9, 1988 - - RCA Studio A (New York City) | 1:00:37 (MP3 | Pop-up) | |
Jane Ira Bloom | Vanishing Hat | Like Silver, Like Song | Jane Ira Bloom soprano sax & live electronics • Mark Dresser – bass • Bobby Previte – drums • Jamie Saft – keyboards • Recorded July 8–9, 2004 at Avatar, New York City | 1:04:57 (MP3 | Pop-up) | |
Anthony Davis | Landing On The Moon | Return From Space (Wonder Nonfiction) | Bass – Mark Helias; ::::::Bass Clarinet, Flute, Tenor Saxophone, Alto Flute – Marty Ehrlich; ::::::Cello – Abdul Wadud; ::::::Clarinet, Contrabass Clarinet – J. D. Parran; ::::::Composed By, Conductor, Piano – Anthony Davis; ::::::Drums – Pheeroan Aklaff; ::::::Guitar – Al Jaffe; ::::::Soprano Saxophone – Jane Ira Bloom; ::::::Trombone – Ray Anderson; ::::::Violin – Shem Guibbory - - 1985 From The Original Soundtrack Recordings and The Original Compositions for Return From Space (Wonder Nonfiction) | 1:14:37 (MP3 | Pop-up) | |
Jane Ira Bloom | A More Beautiful Question | Mental Weather | Jane Ira Bloom – soprano saxophone • Mark Helias – double bass • Matt Wilson – drums, percussion • Dawn Clement - piano • Recorded June 1–2, 2007 at Avatar Studios, NYC | 1:19:42 (MP3 | Pop-up) | |
Jane Ira Bloom | Varo | Sometimes the Magic | Jane Ira Bloom – soprano saxophone, live electronics • Mark Dresser – double bass • Bobby Previte – drums • Recorded June 28–29 and July 21, 2000 Current Sound, New York City | 1:25:14 (MP3 | Pop-up) | |
Jane Ira Bloom | Monk's Tale / The Nearness Of You | The Nearness | Jane Ira Bloom – soprano saxophone • Kenny Wheeler – flugelhorn, trumpet • Julian Priester – trombone, bass trombone • Fred Hersch – piano • Rufus Reid – bass • Bobby Previte – drums • Recorded July 12–14, 1995 at Power Station Studio B, New York City; written in 1937 by Hoagy Carmichael (1899-1981), with lyrics by Ned Washington | 1:30:39 (MP3 | Pop-up) | |
DJ Break-In | 1:34:11 (MP3 | Pop-up) | ||||
Jane Ira Bloom | Hips & Sticks | Early Americans | Jane Ira Bloom – soprano saxophone • Mark Helias – bass • Bobby Previte – drums • Recorded July 16–17, 2015 at Avatar Studios, NYC | 1:39:32 (MP3 | Pop-up) | |
Allison Miller & Jane Ira Bloom | Crayola | Tues Days | Allison Miller drums, percussion Jane Ira Bloom soprano saxophone - recorded in March and April, on Tuesdays, in 2021 | 1:45:03 (MP3 | Pop-up) | |
Jane Ira Bloom | Live Sports | Wingwalker | Double Bass – Mark Helias; Drums – Bobby Previte; Piano – Dawn Clement; Soprano Saxophone, Live Electronics – Jane Ira Bloom - - Recorded at Studio B, Avatar Studios, NYC, June 5 & 6, 2010 | 1:51:16 (MP3 | Pop-up) | |
Jerry Granelli | Time Recovered | Another Place | Bass – Anthony Cox; Drums, Percussion [Electro-acoustic] – Jerry Granelli; Soprano Saxophone – Jane Ira Bloom; Trombone – Julian Priester; Vibraphone – David Friedman - - Recorded September/October 1992 at Studio Bauer, Ludwigsburg, Germany | 1:55:16 (MP3 | Pop-up) | |
Jane Ira Bloom/Mark Helias | Laser Plane | See Our Way | Bass – Mark Helias; Composed By, Recorded By – Jane Ira Bloom, Mark Helias; Soprano Saxophone – Jane Ira Bloom - - Recorded in multiple sessions over several months in 2021-22 | 2:00:23 (MP3 | Pop-up) | |
Jane Ira Bloom | Big Bill | Wild Lines: Improvising Emily Dickinson | Jane Ira Bloom – soprano saxophone • Dawn Clement – piano • Mark Helias – bass • Bobby Previte – drums • Deborah Rush – voice • Recorded April 1, 2017 Avatar Studios, NYC | 2:04:52 (MP3 | Pop-up) | |
Jane Ira Bloom | It's Easy To Remember | Wild Lines: Improvising Emily Dickinson | Jane Ira Bloom – soprano saxophone | 2:09:53 (MP3 | Pop-up) | |
Bobby Previte | Ciphers and Constellations in Love with a Woman | The 23 Constellations Of Joan Miró (2001 Tzadik Version) | Accordion – Joe Barbato; Bass Clarinet – Ned Rothenberg; Chimes, Vibraphone – John Bacon; Electronics – Wayne Horvitz; Organ [Hammond] – Jamie Saft; Soprano Saxophone – Jane Ira Bloom; Tambourine, Drums [Trap] – Bobby Previte; Trumpet – Lew Soloff, Ralph Alessi; | 2:12:09 (MP3 | Pop-up) | |
Jane Ira Bloom | Rapture Of The Flat | Modern Drama | Jane Ira Bloom – soprano saxophone & live electronics, alto saxophone • Fred Hersch – piano, Hammond B3 organ • Ratzo Harris – bass, electric bass • Tom Rainey – drums • Isidro Bobadilla – percussion • Recorded February 9–13, 1987 at RCA Studio A (New York City) | 2:14:13 (MP3 | Pop-up) | |
Thank You, Jane Ira Bloom!!! | 2:17:44 (MP3 | Pop-up) | ||||
Dizzy Reece | Shepherd's Serenade | Blues in Trinity | Dizzy Reece - trumpet; • Tubby Hayes - tenor saxophone, • Terry Shannon - piano; • Lloyd Thompson - bass; • Art Taylor - drums —— Recorded August 24, 1958 Decca Studios, London • • Rudy Van Gelder – recording engineer | 2:26:13 (MP3 | Pop-up) | |
Dizzy Reece Quintet | Communion | From In to Out | Bass – Patrice Caratini; Drums – Art Taylor; Piano – Siegfried Kessler; Tenor Saxophone – John Gilmore; Trumpet, Composed By – Dizzy Reece - - - - Recorded live on October 23, 1970 at the Salles des Fetes of Creteil | 2:32:48 (MP3 | Pop-up) | |
Dexter Gordon & Slide Hampton | My Blues | A Day In Copenhagen | Dexter Gordon - tenor saxophone • Slide Hampton - trombone • Dizzy Reece - trumpet • Kenny Drew - piano • Niels-Henning Ørsted Pedersen - bass • Art Taylor - drums Recorded March 10, 1969 Metronome Studio, Copenhagen, Denmark | 2:38:45 (MP3 | Pop-up) | |
Dizzy Reece | Woody 'N' You | Manhattan Project | Dizzy Reece - trumpet • Clifford Jordan - tenor saxophone • Charles Davis - tenor saxophone • Albert Dailey - piano • Art Davis - bass • Roy Haynes - drums • Recorded: january 17, 1978, Blue Rock Studio, N.Y.C. | 2:47:55 (MP3 | Pop-up) | |
Andrew Hill | Plantation Bag | Passing Ships | Andrew Hill - piano • Dizzy Reece - trumpet • Woody Shaw - trumpet • Joe Farrell - tenor saxophone • Howard Johnson - bass clarinet, tuba • Robert Northern - french horn • Julian Priester - trombone • Ron Carter - bass • Lenny White - drums • Recorded on November 14), 1969 | 2:59:48 (MP3 | Pop-up) | |
Dizzy Reece | Achmet | Comin' On! | Dizzy Reece - trumpet, conga • Stanley Turrentine - tenor saxophone • Musa Kaleem - tenor saxophone • Bobby Timmons - piano • Jymie Merritt - bass • Art Blakey - drums • • Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey on April 3 (tracks 1–5) and July 17 (tracks 6–9), 1960 | 3:08:17 (MP3 | Pop-up) | |
DJ Reecey Kid Stuff | 3:16:47 (MP3 | Pop-up) | ||||
Dizzy Reece | I'll Close My Eyes | Star Bright | Dizzy Reece – trumpet • Hank Mobley – tenor saxophone • Wynton Kelly – piano • Paul Chambers – bass • Art Taylor – drums • Recorded November 19, 1959 at Van Gelder Studio Englewood Cliffs | 3:23:08 (MP3 | Pop-up) | |
Victor Feldman | Maenya | Suite Sixteen | Victor Feldman - vibraphone, piano, drums, congas • Jimmy Deuchar , Dizzy Reece , Jimmy Watson - trumpet • Ken Wray - trombone, bass trumpet • John Burden - French horn • Jimmy Powell - tuba • Derek Humble - alto saxophone • Tubby Hayes, Ronnie Scott - tenor saxophone • Harry Klein - baritone saxophone • Norman Stenfalt - piano • Lennie Bush - bass • Phil Seamen - drums • • Recorded in London, England on September 21, 1955 | 3:29:03 (MP3 | Pop-up) | |
Dizzy Reece | Yamask | Asia Minor | Dizzy Reece – trumpet • Joe Farrell – tenor saxophone, flute • Cecil Payne – baritone saxophone • Hank Jones – piano • Ron Carter – bass • Charlie Persip – drums • Recorded March 13, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey | 3:32:52 (MP3 | Pop-up) | |
Duke Jordan | Si Joya | Flight To Jordan | Duke Jordan - piano • Dizzy Reece - trumpet • Stanley Turrentine - tenor saxophone • Reggie Workman - bass • Art Taylor - drums • • Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey on August 4, 1960 | 3:38:29 (MP3 | Pop-up) | |
Dizzy Reece | Introduction | Nirvana: The Zen of the Jazz Trumpet | Bass – Lee Hudson; Drums – James Worth; Piano – Mike Longo; Trumpet – Dizzy Reece - -a previously unreleased session recorded in 1968 | 3:45:06 (MP3 | Pop-up) | |
Dizzy Reece | Samadhi Junction | Nirvana: The Zen of the Jazz Trumpet | Tenor sax?!?! -Is it John Gilmore? - - -Bass – Lee Hudson; Drums – James Worth; Piano – Mike Longo; Trumpet – Dizzy Reece - -a previously unreleased session recorded in 1968 | 3:46:11 (MP3 | Pop-up) | |
Art Blakey | Haina | Africaine | Art Blakey – drums • Lee Morgan – trumpet • Wayne Shorter – tenor saxophone • Walter Davis, Jr. – piano • Jymie Merritt – acoustic bass • Dizzy Reece – conga drums • Recorded November 10, 1959 at Van Gelder Studio, Englewood Cliffs | 3:58:00 (MP3 | Pop-up) | |
Dizzy Reece | A Ghost of a Chance | Soundin' Off | Dizzy Reece – trumpet • Walter Bishop Jr. – piano • Doug Watkins – bass • Art Taylor – drums • Recorded • May 12, 1960 • Studio • Van Gelder Studio • Englewood Cliffs, New Jersey | 4:08:19 (MP3 | Pop-up) | |
Dizzy Reece Quartet | The Escape and the Chase | Nowhere to Go (OST) | THANKS TO DOUG SCHULKID FOR THIS BEAUTY! Bass – Lloyd Thompson; Drums – Phil Seamen; Recorded By – Bert Steffens Tenor Saxophone, Baritone Saxophone – Tubby Hayes Trumpet – Dizzy Reece - - - - Recorded 1958-10-02 | 4:13:23 (MP3 | Pop-up) | |
DJ Skulkout | 4:16:06 (MP3 | Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
' Jane Ira Bloom (born January 12, 1955) is an American jazz soprano saxophonist and composer.
Bloom was born in Boston, Massachusetts, to Joel and Evelyn Bloom. She began as a pianist and drummer, later switching to the alto saxophone, and eventually settling on the soprano saxophone as her primary instrument. She first began playing the saxophone at age 9, studying with woodwind virtuoso Joseph Viola, chair of the Berklee College of Music Woodwinds Department, from 1968 to 1979, and studying music at Yale University from which she received a liberal arts degree and a master's degree in music (1977). Following Yale, Bloom relocated to New York City. She founded Outline Records while in New Haven and released several recordings under that label.
She was the first musician to be commissioned by the NASA Art Program. in 1989 she created three original musical compositions: Most Distant Galaxy, for soprano saxophone and live electronics, prepared tape, bass, drums, and electroacoustic percussion; Fire & Imagination, for soprano saxophone, improvisors, and chamber orchestra; and Beyond the Sky, for wind ensemble.
In 2007, she was awarded a Guggenheim Fellowship in music composition.
Bloom is a tenured professor at The New School for Jazz and Contemporary Music in New York City's Greenwich Village.
Her 2013 release, Sixteen Sunsets, received a Grammy nomination for the 56th Grammy Awards in the Best Surround Sound category, with sound engineer Jim Anderson.
Bloom won the Chamber Music America New Jazz Works award in 2015 for a new composition inspired by the 19th-century American poet Emily Dickinson.
The resulting work, entitled "Wild Lines" premiered in 2016 to positive reviews.
Bloom won the 2017 Grammy Award for Best Surround Sound category at the 60th Annual Grammy Awards for her album “Early Americans.”
The asteroid 6083 Janeirabloom was named after her '...
⦿Sun in ♑︎Capricorn, Year of Metal 🐎Horse (before Chinese New Year in 1931)
' Alphonso Son "Dizzy" Reece (born 5 January 1931) is a Jamaican-born jazz trumpeter. Reece emerged within London's burgeoning bebop jazz scene during the 1950s and went on to become a leading proponent of hard bop jazz in New York City.
He later experimented with other jazz sub-genres in the late 1960s and 1970s, and continues to remain active in performance and composition. Reece's contribution to the jazz idiom is considered influential and he is often identified as one of jazz's great trumpet players '...
Stork:
Jane Ira Bloom:
TLD:
Stork:
Sean in Bristol UK:
hyde:
hyde:
Yvang:
Stork:
Michael 98145:
Stork:
listener james from westwood:
adamdoesit:
Glen Passaic Eminence Grise
2oz Glen Passaic
4 M&Ms, red or yellow only
1oz marine grease, red
whipped cream maker
1 N2O cartridge, 8g
In whipped cream maker, combine Glen Passaic, M&Ms, and marine grease; swirl until solids are fully dissolved. Charge with N2O cartridge. Dispense, foamy and viscous, into a chilled coupe.
Amanda B:
Dean:
Stork:
Stork:
WR:
Jeff Golick:
TLD:
Michael 98145:
Stork:
Stork:
Jane Ira Bloom:
Stork:
Jane Ira Bloom:
Stork:
Jane Ira Bloom:
hyde:
mackeral:
Dean:
DJ Peter:
Jane Ira Bloom:
and inspired by him.
Jane Ira Bloom:
-JIB
Stork:
Stork:
Jane Ira Bloom:
Stork:
Charlotte Lukowski:
Congratulations on all your lifetime achievements in the Music World! So Amazing!
Revolution Rabbit Nov63:
Jane Ira Bloom:
Dean:
WR:
www.cbat.eps.harvard.edu...
Stork:
TLD:
Stork:
Stork:
hyde:
adamdoesit:
Stork:
Stork:
Jane Ira Bloom:
TLD:
Jane Ira Bloom:
Dean:
Catherine and Richard:
Stork:
Jane Ira Bloom:
Stork:
Catherine and Richard:
northguineahills:
Stork:
Stork:
Dean:
mackeral:
Stork:
mackeral:
Stork:
Jane Ira Bloom:
Julia and Adam:
Jane Ira Bloom:
spodiodi:
never love those when they hit while i'm lying in bed. any other locals feel it? Dean?
Dean:
spodiodi:
spodiodi:
Stork:
Jane Ira Bloom:
fred:
Stork:
Stork:
Jane Ira Bloom:
Stork:
DJ Peter:
But off the top of my head I can't recall any recording where you really went gutbucket with your sound?
I could be wrong/forgetting!
But if I"m not completely wrong: do you think this is a function of the kinds of compositions/settings that you are drawn to? Inherent in the soprano sax? Or... something else?
Stork:
Monk Rowe Interview: www.youtube.com...
Dr. Jazz Talks #321: Samo Šalamon & Jane Ira Bloom interview
www.youtube.com...
Michael 98145:
TLD:
Jane Ira Bloom:
is really at the top of my thinking and I 'm interested in
the sound that I create on it.
Stork:
adamdoesit:
Stork:
Dean:
https://archive.org/details/BAVC1013550_SFJZ0479
spodiodi:
the Snub club is going strong
spodiodi:
Jane Ira Bloom:
Stork:
adamdoesit:
Dean:
"Bloom is on a roll. One could pick up any of her last five releases and be assured of a worthwhile listen. But WIld Lines, is my recommendation. It's a good demonstration of what a creative musician can do when faced with presenting material in multiple ways."
Summer and Michael and Sylvia:
Stork:
Jane Ira Bloom:
Stork:
Stork:
Stork:
Dean:
Michael 98145:
Michael 98145:
northguineahills:
fred:
Jane Ira Bloom:
Jim Anderson:
Dean:
Stork:
Spikey BXL:
Hi Stork, folks.
Jane Ira Bloom:
MXR pitch shifter & foot pedal
Delta Lab super timeline digital delay & foot pedal
Stork:
Jim Anderson:
Jane Ira Bloom:
Christina:
Jane Ira Bloom:
Stork:
Jim Anderson:
Jim Anderson:
Jane Ira Bloom:
Stork:
Stork:
Summer and Michael and Sylvia:
Stork:
S:
Stork:
Stork:
jazzhistoryonline.com...
Textura:
www.textura.org...
DJ Peter:
Dean:
Jane Ira Bloom:
Jane Ira Bloom:
released on Outline Records in 1976/77. Duets with bassist Kent McLagan.
Stork:
Jane Ira Bloom:
Stork:
Dean:
Stork:
Dean:
Stork:
Jane Ira Bloom:
tom tom the pipers son:
Stork:
Dean:
Jane Ira Bloom:
Dean:
Dean:
northguineahills:
Jane Ira Bloom:
northguineahills:
chresti:
Stork:
Stork:
cayce blanchard:
Jim Anderson:
https://www.allmusic.com/album/blues-in-trinity-mw0000710553#credits
Stork:
adamdoesit:
David & Les:
Stork:
Looking forward to the 2025 release of a new album on my Outline label called "Songs in Space" featuring trios and duets with
Mark Helias - bass, Bobby Previte - drums, percussion, and Dominic Fallacaro - piano. Recorded by Jim Anderson & Ulrike Schwarz in May 2024. It was recorded in surround sound and we hope to have it mastered as well in high resolution immersive sound.
Planning a performance at the SoapBox Gallery in Brooklyn , NY in April 2025 but don't have the exact weekend date yet. Check the Soap Box Gallery calendar for updates.
Stork:
northguineahills:
Stork:
Stork:
adamdoesit:
Stork:
adamdoesit:
Stork:
Stork:
adamdoesit:
Stork:
WR:
Stork:
Stork:
Stork:
Stork:
WR:
doctorjazz:
Stork:
doctorjazz:
Have a great week off!