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Music of all kinds that hits me in the pit of my stomach, all arranged to find your sweet spot, too. Plus radio shows from the 1940s & 1950s: dramas, mysteries, sci-fi, detectives, and more.
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September 29, 2008: Show 205
(listen to entire show / each exact individual set / each exact individual song)
Show time: 12 AM - 3 AM
The start and end times for each individual set and each individual song are exact.
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Artist | Track | Album | Label | Comments | Special | |||||
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Set 1: rock from easy to heavy. (Listen to this set: Pop-up) |
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Religious Knives |
Luck (track 2)
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Resin | No Fun Productions | Quiet-ish but dark, sort of slow & druggy rock. They're like Godot: "I waited too long, but you didn't come." | ||||||
Robert Plant & Alison Kraus |
Fortune Teller (track 9)
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Raising Sand | Rounder | Kind of a drugged-out version of the classic song. | ||||||
Assemble Head In Sunburst Sound |
The Chocolate Maiden's Misty Summer Morning (track 8)
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Ekranoplan | Tee Pee | Mellow rock. | ||||||
And The Lefthanded |
Rocket Rock (track 3: faded out by -0:27)
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Death Before Distemper 2: Revenge Of The Iron Ferret | DC Records | Catchy and punchy electronic rock, bit dreamy. From the soundtrack to the movie. | ||||||
Cosmic Psychos |
Guns Away (track 3)
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Oh What A Lovely Pie | Amrep | Sustained, hypnotic in its way. | *** | |||||
Marble Sheep |
Raise The Dead (track 3)
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Message From Oarfish | Captain Trip | Sustained heavy rock, they're having fun. The title of the song makes an unintentional tie-in to the subject matter of the next set - the old radio show portion of the evening. | ||||||
Mic break between Sets 1 & 2. Background music played during it: (Listen to this set: Pop-up) |
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Dubfire |
Emissions (track 3)
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Expansion / Contraction | Minus | |||||||
Set 2: the old radio show portion of the evening. (Listen to this set: Pop-up) |
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Quiet, Please |
Shadow Of The Wings
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Originally broadcast April 17, 1949 | (no label) |
This episode: a dying child and her deathbed conversation with the Angel Of Death. Get out a towel, because this is a true tearjerker, but it's one with a happy ending.
The series is now considered by many to be 1 of old-time radio's best science fiction / horror series – if not THE best. It was always very reductive: very few people were in any episode, and all the action centered around 1 extraordinary actor: Ernest Chappell. Excerpts about Quiet, Please from Dunning's Encyclopedia Of Old-Time Radio: "...unsung and little-heard in it's day...Creator Wyllis Cooper was radio's best practitioner of an almost surrealistic dramatic form....His characters walked in a fuzzy dream world where the element of menace was ripe and ever-present...." All in all, superior radio. |
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Mic break between Sets 2 & 3. Background music played during it: (Listen to this set: Pop-up) |
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Dubfire |
Emissions (track 3)
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Expansion / Contraction | Minus | |||||||
Set 3: sort of dark, sort of techno, sort of funky. (Listen to this set: Pop-up) |
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Plastikman |
Consume (track 2)
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Consumed | Novamute | Dark, reverberant, atmospheric. | ||||||
Muscleheads |
Phosphorescence (track 8)
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Death Before Distemper 2: Revenge Of The Iron Ferret | DC Records | Really good, dark, electronic, funk aspect, softly acidic vocals. | *** | |||||
Ryoji Ikeda |
Matrix 2.4 (CD 2, track 4)
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Matrix | Touch | Experimental & electro-funky, deep at times. The 4 tracks in a row we hear are actually part of 1 much longer work. | ||||||
Ryoji Ikeda |
Matrix 2.5 (CD 2, track 5)
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Matrix | Touch | Experimental & electro-funky, deep at times. The 4 tracks in a row we hear are actually part of 1 much longer work. | ||||||
Ryoji Ikeda |
Matrix 2.6 (CD 2, track 6)
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Matrix | Touch | Experimental & electro-funky, deep at times. The 4 tracks in a row we hear are actually part of 1 much longer work. | ||||||
Ryoji Ikeda |
Matrix 2.7 (CD 2, track 7: faded up at -1:35)
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Matrix | Touch | Experimental & electro-funky, deep at times. The 4 tracks in a row we hear are actually part of 1 much longer work. | ||||||
Naw |
Cloning (1 blood made 2 remix) (track 6)
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Aidan Baker: Remixes | Arcolepsy | Druggy & techno-y. | ||||||
Forensic featuring MC Plague |
Demented Flows (track 4: begun at +:10, ended at +2:33)
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Hard Sessions 2 | Shadow | 1 of the 2 best tracks on the CD - the other, "Inferior" is also by these guys. And it's way great. | ||||||
Mic break between Sets 3 & 4. Background music played during it: (Listen to this set: Pop-up) |
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Dubfire |
Emissions (track 3)
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Expansion / Contraction | Minus | |||||||
Set 4: the psych rock portion of the evening. (Listen to this set: Pop-up) |
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Black Angels |
Snake In The Grass (track 11)
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Directions To See A Ghost | Light In The Attic | Easy tempo, bit spaced and almost low-key psych rock, resonant & acidy. | ||||||
F/i |
The Hot Shop (track 9)
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A Question For The Somnambulist | Strange Attractors | Psych rock, getting a little faster. | ||||||
The Heads |
Handlar Med Jonesie (track 2)
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(no title) | (no label) | It's from a 2-track split on-tour CD with Wooden Shjips. This song: a slow & spacey-loopy start, gradually builds to heavier, acidy & more intense. The Wooden Shjips song is also really good. | ||||||
Mic break between Sets 4 & 5. Background music played during it: (Listen to this set: Pop-up) |
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Dubfire |
Emissions (track 3)
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Expansion / Contraction | Minus | |||||||
Set 5. (Listen to this set: Pop-up) |
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Phil Niblock |
Not Yet Titled (CD 2, track 3)
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Touch Three | Touch | Treated trumpet & harmonics, builds and gets more active, almost rock-like, didgeridoo-like trumpet, best song on the first 2 CDs. | ||||||
Sunn O))) + Boris |
Blood Swamp (track 6)
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Altar | Southern Lord | Opens like hearing distant industrial feel down a long metallic corridor, builds a little to gradually shifting & surging, it's most like Sunn O))) by themselves, sudden quiet and fade out just before end. | ||||||
End of show mic break. Background music played during it: (Listen to this set: Pop-up) |
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Sunn O))) + Boris |
Blood Swamp (track 6)
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Altar | Southern Lord | Time was up, so I just talked over the end of the song. |
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