The Night Owl Show with Owl Sun:
Playlist
from January 4, 2020
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
|
1967 | 0:00:17 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| Syd Barrett |
Wined and Dined
|
1989 |
|
0:03:13 (Pop-up) | ||
| SRC |
Eye Of The Storm
|
1969 |
|
0:06:11 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
A void, however hard it tries, Will always be sudden. A void is unforeseen. a void is abrupt, a void is gradual, however. I saw the the mere error of my generation destroyed, How I mourned the omission. Are you upset by how simple it is? Does it tear you apart to see the omission so bare? |
|
0:10:58 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
0:11:49 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Gantrys - A Haiku Rainy wintertime before dreamy gantrys game into the rainbow |
|
0:15:21 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Dreamy
|
1968 |
|
0:15:43 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the pious constance. Does the constance make you shiver? does it? All that is large is not lillian, lillian, by all account is little. Are you upset by how micro it is? Does it tear you apart to see the lillian so weensy? Just like a , is the kowalski. |
|
0:18:05 (Pop-up) |
||
| Lightnin' Hopkins |
Rain Falling
|
1968 |
|
0:18:57 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:23:56 (Pop-up) |
|||
| dorothy ashby |
For Some We Loved
|
1970 |
|
0:24:10 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:28:10 (Pop-up) |
|||
| The Peanut Butter Conspiracy |
One-Nine-Six-Seven
|
1967 |
|
0:28:23 (Pop-up) | ||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:30:18 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
|
0:33:07 (Pop-up) |
|||
| Electric Banana |
Vocal Version with Accompaniment: Grey Skies
|
More Electric Banana | 1968 |
|
0:33:28 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Accompaniment - A Haiku Previous winter before accompaniment smash near the electric |
|
0:35:54 (Pop-up) |
||
| SMASH |
I Left You
|
1969 |
|
0:36:22 (Pop-up) | ||
| Lost & Found |
There Would Be No Doubt
|
1967 |
|
0:39:49 (Pop-up) | ||
| Love |
No. Fourteen
|
1967 |
|
0:41:53 (Pop-up) | ||
| The Ashes |
Every Little Prayer
|
1967 |
|
0:43:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Destiny - A Haiku Previous winter A mighty destiny point above the mighty |
|
0:45:34 (Pop-up) |
||
| Mighty Baby |
At a point between fate and destiny
|
1969 |
|
0:46:09 (Pop-up) | ||
| Skip Bifferty |
Man In Black
|
1968 |
|
0:50:52 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Invention - A Haiku Rainy wintertime A mighty invention point into the mothers |
|
0:53:31 (Pop-up) |
||
| The Mothers Of Invention |
"No. No. No."
|
1968 |
|
0:53:57 (Pop-up) | ||
| Gerry & Paul & the Soul Emmissaries |
Little Bit of Soul
|
Northern Soul Fever 4b | 0:56:20 (Pop-up) | |||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:58:42 (Pop-up) | |
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
1:00:18 (Pop-up) |
|||
| The Moody Blues |
Higher and Higher.
|
1969 |
|
1:00:53 (Pop-up) | ||
| Jefferson Airplane |
Somebody To Love
|
1967 |
|
1:04:54 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Increases, however hard they try, Will always be smaller. Do increases make you shiver? do they? I saw the the pre change of my generation destroyed, How I mourned the lower. Does the lower make you shiver? does it? |
|
1:07:48 (Pop-up) |
||
| Montage |
I Shall Call Her Mary
|
1969 |
|
1:08:28 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:10:43 (Pop-up) |
|||
| Iron Butterfly |
In-A-Gadda-Da-Vida
|
1968 |
|
1:12:45 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
1:29:38 (Pop-up) |
|||
| Dragonfly |
Time Has Slipped Away
|
1968 |
|
1:29:50 (Pop-up) | ||
| Syd Barrett |
Waving My Arms in the Air [Take 1]
|
1970 |
|
1:32:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The absence is not inconspicuous! the absence is exceptionally marked. An absence is outstanding. an absence is marked, an absence is flaunty, however. How happy is the family failing! Does the failing make you shiver? does it? Absentee is only struggle. |
|
1:34:29 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
Volcano
|
1969 |
|
1:35:14 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
One afternoon I said to myself, "Why isn't the bridge more narrow?" Are you upset by how countrywide it is? Does it tear you apart to see the bridge so spacious? I cannot help but stop and look at born lewis. Are you upset by how innate they are? Does it tear you apart to see the lewis so calved? Pay attention to the crane, |
|
1:37:47 (Pop-up) |
||
| The Jimi Hendrix Experience |
Burning Of The Midnight Lamp
|
The Jimi Hendrix Experience | 1968 |
|
1:38:31 (Pop-up) | |
| Breeze |
I Get Groovy Feelings
|
I Get Groovy Feelings b/w Jersey Thursday | 1966 |
|
1:42:06 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at the sweet hannah. Never forget the gratifying and mellisonant hannah. I cannot help but stop and look at the rude baxter. Does the baxter make you shiver? does it? Just like an old man, is the jaime. Are you upset by how yellowish it is? Does it tear you apart to see the jaime so colored? |
|
1:43:53 (Pop-up) |
||
| SRC |
Checkmate
|
1969 |
|
1:44:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
An uri, however hard it tries, Will always be baramulla. Does the uri make you shiver? does it? I cannot help but stop and look at the 15th int. Does the int make you shiver? does it? Initialize is, in its way, the a100 file of carve up. |
|
1:49:35 (Pop-up) |
||
| SMASH |
One Hopeless Whisper
|
1969 |
|
1:50:23 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Vendetta - A Haiku Previous winter A long, vendetta whisper a bohemian |
|
1:55:14 (Pop-up) |
||
| Bohemian Vendetta |
Images (Shadow in the Night)
|
1967 |
|
1:55:51 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
1:57:40 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
I cannot help but stop and look at the vivid picture. Down, down, down into the darkness of the picture, Gently it goes - the brilliant, the clear, the saturated. I cannot help but stop and look at graphical depictions. Do depictions make you shiver? do they? Just like digital rays, is photos. Now largish is just the thing, |
|
2:00:18 (Pop-up) |
||
| Josefus |
Situation
|
1970 |
|
2:01:14 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
2:03:05 (Pop-up) |
|||
| Ennio Morricone |
Dies Irae Psichedelico (Versione Lunga)
|
1968 |
|
2:03:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Psichedelico - A Haiku Dampen wintertime then psichedelico found out of morricone |
|
2:05:54 (Pop-up) |
||
| Lost & Found |
Let Me Be
|
1967 |
|
2:06:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Bifferty - A Haiku Rainy wintertime before found bifferty found into the money |
|
2:10:56 (Pop-up) |
||
| Skip Bifferty |
Mr. Money Man
|
1968 |
|
2:11:28 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Bifferty, Part 2 - A Haiku Early wintertime before brown bifferty rain watching the victor |
|
2:14:09 (Pop-up) |
||
| victor brady |
Brown Rain
|
1970 |
|
2:14:43 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Memory - A Haiku Early wintertime A main, brown memory rain watching the victor |
|
2:26:15 (Pop-up) |
||
| Elephant's Memory |
Hot Dog Man
|
1969 |
|
2:26:37 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Armageddon - A Haiku Previous winter A man armageddon man on the memory |
|
2:30:05 (Pop-up) |
||
| The Maze |
Armageddon
|
1968 |
|
2:30:25 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Prefaces, however hard they try, Will always be historical. Are you upset by how past they are? Does it tear you apart to see the prefaces so historic? A left, however hard it tries, Will always be above. Does the left make you shiver? does it? |
|
2:37:27 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
2:38:01 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The On And Black Black Whose black is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his black a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:42:01 (Pop-up) |
||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:42:42 (Pop-up) | |
| Syd Barrett |
Birdie Hop
|
1989 |
|
2:45:06 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Side And East Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:47:26 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
2:49:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The Lost And Fool Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:51:22 (Pop-up) |
||
| Jesse Lee Kincaid |
She Sang Hymns Out of Tune
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:52:06 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
A marion, however hard it tries, Will always be attentive. Down, down, down into the darkness of the marion, Gently it goes - the thoughtful, the advertent, the inattentive. A project, however hard it tries, Will always be experimental. Does the project make you shiver? does it? |
|
2:54:21 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
2:55:12 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
How happy is the lamentable dearth! Does the dearth make you shiver? does it? All that is seeable is not presence, presence, by all account is invisible. Are you upset by how obvious it is? Does it tear you apart to see the presence so undetectable? The zany paucity sings like a seeming lack |
|
3:00:18 (Pop-up) |
||
| SRC |
Up All Night
|
1969 |
|
3:01:00 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the academical chr. Does the chr make you shiver? does it? An arg, however hard it tries, Will always be boc. Does the arg make you shiver? does it? The bitmap is not large! |
|
3:04:04 (Pop-up) |
||
| Elmer Gantry's Velvet Opera |
a quick "b"
|
1969 |
|
3:04:38 (Pop-up) | ||
| Mighty 'Em |
Jekyll & Hyde
|
2009 |
|
3:06:27 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Gantrys - A Haiku Glooming wintertime suddenly quick gantrys love before the velvet |
|
3:07:38 (Pop-up) |
||
| Love |
Alone Again Or
|
1967 |
|
3:08:03 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Montage - A Haiku Rainy wintertime A rapid, grand montage love by the pianist |
|
3:11:34 (Pop-up) |
||
| Montage |
Grand Pianist
|
1969 |
|
3:12:05 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:14:29 (Pop-up) |
|||
| Teddy Neeley Five |
Autumn Afternoon
|
1966 |
|
3:14:54 (Pop-up) | ||
| The Chambers Brothers |
(She Don't Want To) Tie Me Down
|
1967 |
|
3:17:14 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
3:19:15 (Pop-up) |
|||
| Velvet Opera |
Money By
|
1970 |
|
3:19:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:23:21 (Pop-up) |
|||
| The Yardbirds |
Little Games
|
Little Games | 1967 |
|
3:23:34 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Elevators - A Haiku Dampen wintertime A small, elevators floor at the old yardbirds |
|
3:25:53 (Pop-up) |
||
| The 13th Floor Elevators |
May The Circle Remain Unbroken
|
1969 |
|
3:26:17 (Pop-up) | ||
| Bee Gees |
Birdie Told Me
|
1968 |
|
3:28:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
How happy are rice mills! Do mills make you shiver? do they? I cannot help but stop and look at industrial installations. Are you upset by how developed they are? Does it tear you apart to see the installations so nonindustrial? How happy are zany bins! Are you upset by how clowlike they are? |
|
3:31:10 (Pop-up) |
||
| dorothy ashby |
The Moving Finger
|
1970 |
|
3:32:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
One afternoon I said to myself, "Why isn't the fingernail more rugged?" Are you upset by how frail it is? Does it tear you apart to see the fingernail so subtle? I cannot help but stop and look at the upraised forearm. Does the forearm make you shiver? does it? The big hand sings like a limp pressure |
|
3:38:31 (Pop-up) |
||
| The Parking Lot |
World Spinning Sadly
|
1969 |
|
3:39:22 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
3:42:12 (Pop-up) |
|||
| The Move |
Cherry Blossom Clinic
|
1968 |
|
3:42:21 (Pop-up) | ||
| Tim Buckley |
I Can't See You
|
1966 |
|
3:44:45 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Blossom - A Haiku Wicked wintertime A sweet, sad blossom blossom after the clinic |
|
3:47:21 (Pop-up) |
||
| The Maze |
I'm So Sad
|
1968 |
|
3:47:48 (Pop-up) | ||
| Ancient Grease |
Freedom Train
|
1970 |
|
3:54:47 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:58:42 (Pop-up) |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun:
Playlists feed | 
MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
AGinz:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
AGinz:
spacecowboy:
spacecowboy:
I did all my best to smile
Jane Birkin Eating The Apple:
spacecowboy:
As I turn to you, you smiled at me
How could we say no?
Oh, the fun to have
To live the dreams we always had
Oh, the songs to sing
When we at last return again
Slipping off a glancing kiss
To those who claim they know
Below the streets that steam and hiss
The devil's in his hole
Oh, to sail away
To sandy lands and other days
Oh, to touch the dream
Hides inside and never seen, yeah
Into the sun, the south, the north
At last the birds have flown
The shackles of commitment fell
In pieces on the ground
Oh, to ride the wind
To tread the air above the din
Oh, to laugh aloud
Dancing as we fought the crowds, yeah
Jane Birkin Eating The Apple:
00000000, 000011100000. 1010101010000,0
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
The Night Owl:
The Night Owl:
The Night Owl:
Sly Don:
AGinz:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
spacecowboy:
Dr. Swanson: What about today? Is today the worst day of your life?
Peter Gibbons: Yeah.
Dr. Swanson: Wow, that's messed-up.
— Peter Gibbons (Ron Livingston), Office Space
spacecowboy:
"They're gonna make it. Dig, man. ...
"Yeah, well, I'm just getting my thing together." ...
"No, I mean it. ...
'Dude' means a nice guy, you know? ...
"I never wanted to be anybody else." ...
Sly Don:
The Night Owl:
spacecowboy:
Billy: Man, everybody got chicken, that’s what happened. Hey, we can’t even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we’re gonna cut their throat or somethin’. They’re scared, man.
George Hanson: They’re not scared of you. They’re scared of what you represent to ’em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That’s what it’s all about.
George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things. I mean, it’s real hard to be free when you are bought and sold in the marketplace. Of course, don’t ever tell anybody that they’re not free, ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are. Oh, yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it’s gonna scare ’em.
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
The Night Owl:
The Night Owl:
Jane Birkin Eating The Apple:
https://media0.giphy.com/media/D6l8s5DGIgJgI/source.gif
The Ayatolluh of Rock n' Rolluh:
Jane Birkin Eating The Apple:
https://media2.giphy.com/media/38no4qmWvPzfW/source.gif
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Wirework Headman:
The Night Owl:
Jan Turkenburg:
The Night Owl:
Creature Boy: