Serious Moonlight Sonatas with Carol:
Playlist
from June 28, 2020
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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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June 28, 2020: Watermoonin In Easter Hay (Thank you, Frank Zappa)
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| Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
|---|---|---|---|---|---|---|---|---|---|---|
| Louise Bock & P.G. Six |
Luminous Wind
|
Unreleased Collaborations | 2020 | 1st collaboration for the duo / Madison, Wisconsin-based Louise Bock is Taralie Peterson (AKA Tar Pet) and is in the group, Spires That In The Sunset Rise. Taralie works with mainly sax, clarinet, cello, voice, & denatured lap harp / P.G. Six is NY-based Pat Gubler, solo artist & multi-instrumentalist and of groups Garcia Peoples, Memphis Luxure, Metal Mountains, The Tower Recordings, The Werefrogs, Weeping Bong Band, & Wet Tuna. He has also collaborated with Dan Melchior. | * | 0:00:00 (Pop-up) | ||||
| Pink Floyd |
Careful With That Axe, Eugene
|
Live At Pompeii | Pink Floyd | 1972 | orig version of this song was released as a B-side to "Point Me At The Sky" / The title "Careful With That Axe, Eugene" is a reference to the beginning lyrics of "Point Me At The Sky: "Hey Eugene; This is Henry McClean..." / recorded in 1971 | 0:03:13 (Pop-up) | ||||
| Godspeed You! Black Emperor |
The Dead Flag Blues
|
F# A# ∞ | Kranky | 1998 | Godspeed You! Black Emperor began with Efrim Menuck, Mauro Pezzente and Mike Moya in Montréal in the early 90s, playing a handful of shows and recording a self-released cassette as a trio before beginning to transform the group into a large band. Recruiting numerous Montreal musicians through 1995-1996, GYBE mounted sense-rattling wall-of-sound performances, featuring as many as 14 musicians and several 16mm film projectors, eventually self-recording their debut vinyl-only version of F#A#∞, released on Constellation in late summer 1997. The band's Hotel2Tango warehouse space in Montréal's Mile-End district was a central hive of DIY activity, with band rehearsal rooms, silkscreen and wood shops, and weekend shows that took place under the radar. The group settled into a permanent 9-member line-up by late 1998, with Aidan Girt and Bruce Cawdron on drums, Thierry Amar and Mauro on basses, Efrim, Dave Bryant and Roger Tellier-Craig on guitars, and Norsola Johnson and Sophie Trudeau on cello and violin respectively. / The original recording of F♯ A♯ ∞ took place in 1997. By this time, the band had reached an unwieldy 15 members. In preparation of the album, they trimmed their numbers to 10. The culmination of material spanning back to 1993 resulted in 2 lengthy songs, each about 20 minutes in length. After the record's release, the band became interested in touring the US. In order to make headway, they sent a copy of their album to the Chicago-based record label Kranky. Impressed by the recording, Kranky offered to re-release the album on compact disc. The band quickly returned to the studio and re-recorded the album, which was released in June 1998. Changes to the album included the addition, subtraction and reorganization of material, resulting in 3 tracks & slightly over an hour of music. | 0:09:44 (Pop-up) | ||||
| Seabuckthorn |
While There By The Woods
|
Through A Vulnerable Occur | IIKKI | 2020 | Seabuckthorn is UK artist Andy Cartwright (on guitar, charango, & effects) w/ Gareth Davis (on clarinet) / album is a music and visual collaboration designed to accompany Sophie Gabrielle’s new book of photography | * | 0:25:51 (Pop-up) | |||
| Vague Imaginaires |
L'Île Somnambule
|
L'île D'or | Not Not Fun | 2020 | debut album from Denis Morin from Grenoble, France / from bandcamp page: Recorded in anticipation of the birth of his daughter (an experience Morin likens to “an ancestral journey”), the album alternates between ritual and lullaby, spirit vine questing and chill-out tent meditation. Guyana forest field recordings and the sound of springtime birds color the songs with wind and wildlife, evoking lagoons clouded in mist and steam, overgrown paths winding through twilit jungles. | * | 0:30:13 (Pop-up) | |||
| Mogwai / Stephen Pearlman & Sean Gullette |
Moon In Reverse / It's Not Our Way...
|
ZEROZEROZERO (series soundtrack) / Pi | Mogwai | 2020 | Scottish quartet Stuart Braithwaite (guitar, vocals), Dominic Aitchison (bass guitar), Barry Burns (guitar, piano, synthesizer), & Martin Bulloch (drums) / "ZeroZeroZero" is an Italian crime drama tv series based on the book of the same name by Roberto Saviano | * | 0:46:27 (Pop-up) | |||
| Ennio Morricone / Robert Duvall, et al. |
Main Theme (from "The Thing") / It's Gonna Be A Big One...
|
The Essential John Carpenter Film Music Collection / Apocalypse Now | Silva America | 2002 | born in Rome, Morricone is a composer, conductor, and former trumpet player, and has composed over 400 scores for cinema and television, as well as over 100 classical works | 0:50:18 (Pop-up) | ||||
| Michael Andrews |
The Artifact & Living
|
Donnie Darko (soundtrack) | Enjoy | 2001 | Andrews (AKA Elgin Park) is an American musician and film score composer. Originally the lead singer for The Origin, he began his career in the college rock scene with long time friend Gary Jules, who he later collaborated with for the acoustic cover of Tears For Fears' "Mad World" for the Donnie Darko soundtrack. After Jules left The Origin before putting out their first album, Andrews continued with The Origin until they disbanded. / "Donnie Darko" was his first soundtrack | 0:54:43 (Pop-up) | ||||
| Inventions |
Continuous Portrait
|
Continuous Portrait | Temporary Residence | 2020 | 3rd full-length album from Inventions, the American duo of Matthew Cooper of Eluvium, and Mark T. Smith of Explosions in the Sky / Inventions formed in 2013 as a side project for both musicians, whose main projects were signed to the same record label. | * | 0:57:00 (Pop-up) | |||
| Onuka |
Vidlik
|
Vidlik - EP | Aby Sho MZK | 2017 | ONUKA is a joint project of Ukrainian sound producer and musician Eugene Filatov (The Maneken) and Nata Zhyzhchenko (former vocalist of Tomato Jaws and Kooqla) | 1:08:32 (Pop-up) | ||||
| Die Angel |
Epikouros
|
Utopien I | Karlrecords | 2020 | duo Ilpo Väisänen (AKA Pan sonic, I-LP-O IN DUB, Liima, & Piiri) and Dirk Dresselhaus (AKA Schneider TM, A S S, Locust Fudge, Ida Van Selbst, & Millimeter) | * | 1:11:19 (Pop-up) | |||
| Sibling & Heavenchord / Frank Zappa |
Wind / We Are Nothing...
|
Sounds Of Silence | Greyscale | 2020 | * | 1:19:39 (Pop-up) | ||||
| Wasisinqu |
Maze
|
Tribal Experience | Wasisinqu | 2019 | 1:28:52 (Pop-up) | |||||
| Sonic Boom |
Spinning Coins And Wishing On Clovers
|
All Things Being Equal | Carpark | 2020 | AKA Pete Kember from the UK / aliases: E.A.R. (Experimental Audio Research), Mark Wayne, Peter Gunn, The Mainliner / Sonic Boom is a founding member of Spacemen 3 / this album is the first release under his solo Sonic Boom moniker since his 1989 debut release, "Spectrum" | * | 1:33:33 (Pop-up) | |||
| Jacek Sienkiewicz / Frank Zappa |
120 D-Rooms / That's My Dream...
|
PRES Rebooted: New Works Based on Sounds from Polish Radio Experimental Studio (V/A) | Wire | 2020 | Sienkiewicz is a Polish DJ and producer born in Warsaw; and he is the founder of the Recognition label in 2000. / this Wire comp came w/ June 2020 edition of Wire magazine | * | 1:40:14 (Pop-up) | |||
| Jlin / Frank Zappa |
Lotus / Everyone Should Be Happy With What They've Got
|
PRES Rebooted: New Works Based on Sounds from Polish Radio Experimental Studio (V/A) | Wire | 2020 | Jerrilynn Patton (AKA Jlin) is a producer originally from Gary, Indiana | * | 1:47:36 (Pop-up) | |||
| Section Futur |
A Fenster To My Soul
|
Louisat | 2020 | * | 1:51:31 (Pop-up) | |||||
| Anne F Jacques & Takamitsu Ohta / Van's Peppy Syncopators |
Mine (excerpt) / Tyrant Heads
|
Two Forms Of Contact With Objects / No Music Festival 1998 | More Mars Team | 2017 | Anne-Françoise Jacques is a composer and performer from Quebec / Ohta is a Japanese stone collector & designer, who was born in Osaka, Japan | 1:55:09 (Pop-up) | ||||
| Rebecca Foon |
New World
|
Waxing Moon | Constellation | 2020 | Foon is the composer and musician behind Saltland and Esmerine; and is a former longstanding member of Silver Mt. Zion / this is her first eponymous release | * | 2:04:47 (Pop-up) | |||
| Fabrizio Paterlini |
Week #10
|
Autumn Stories 2019 | Self Released | 2019 | Paterlini was born and lives in the ancient northern Italian city of Mantua / album features: Fabrizio (on piano); Eugenio Gargiola (on violin); Massimo Brutti (on viola); Silvia Dal Paos (on cello) | 2:09:39 (Pop-up) | ||||
| Clara Engel |
To Keep The Ghost At Bay
|
Hatching Under The Stars | 2020 | artist based in Toronto / Clara Engel: (voice, electric guitar, hammond organ, keyboard, acoustic twelve string guitar, chromonica, harmonica, banjitar); Paul Kolinski: (drums); Mitchell Girio: (bass); & Lys Guillorn: (lap steel) | * | 2:11:41 (Pop-up) | ||||
| Midori Hirano |
Invisible Island
|
Invisible Island | Sonic Pieces | 2020 | Hirano is a Japanese musician, composer, sound artist and producer, born in Kyoto and now based in Berlin. | * | 2:17:18 (Pop-up) | |||
| Synthezaur |
Head
|
PRES Rebooted: New Works Based on Sounds from Polish Radio Experimental Studio (V/A) | Wire | 2020 | This Wire comp is an exclusive anthology of tracks made from samples originally produced at the legendary Warsaw electronic music studio. Between 1957–2003, the Polish Radio Experimental Studio were global pioneers of utilitarian sound design and the practices of modern music production. Operating at its centre in Warsaw, the studio made a profound impact on the sound of Eastern European cinema, producing more than 300 soundtracks for films, experimental animation, video art and theatre, as well as thousands of works for television and radio. All tracks are based on free samples from the Polish Radio Experimental Studio. Compilation produced by the Adam Mickiewicz Institute as part of the Polska Music programme and the international cultural programme marking the centenary of Poland regaining independence. Financed by the Ministry of Culture and National Heritage of the Republic of Poland as part of the multi-annual programme NIEPODLEGŁA 2017–2022 | * | 2:22:44 (Pop-up) | |||
| Section Futur |
India Blues3
|
Louisataabni | 2020 | * | 2:26:37 (Pop-up) | |||||
| Magthea |
Magthea and Insanity (Extract)
|
80s Underground Cassette Culture Volume 1 (V/A) | Contort Yourself | 2017 | this track originally released as a full album-length cassette in 1983 / Get the full Magthea album here | 2:31:12 (Pop-up) | ||||
| Jack Nitzsche (performed by City Of Prague Philharmonic Orchestra) |
Main Theme (from Starman)
|
The Essential John Carpenter Film Music Collection | Silva America | 2002 | the music for "Starman" was written by Jack Nitzsche / The "Starman" soundtrack was one of the first ever released by Varèse Sarabande, on both LP and CD in 1990 / Born in Chicago, Illinois, and raised on a farm in Newaygo, Michigan, Nitzsche, son of German immigrants, moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R (artists and repertory) executive at Specialty Records, as a music copyist. While there Nitzsche wrote a novelty hit called "Bongo Bongo Bongo". Nitzsche wrote with Bono the song "Needles and Pins" for Jackie DeShannon, later recorded by the Searchers. He became arranger and conductor for producer Phil Spector, and orchestrated the Wall of Sound for the song "River Deep, Mountain High" by Ike and Tina Turner. In 1964, he met the Rolling Stones and went on to play keyboards on their albums "The Rolling Stones," "Now!" (The Rolling Stones No. 2 in the UK), "Out of Our Heads," "Aftermath" and "Between the Buttons" as well as on their hit singles "Paint It, Black" and "Let's Spend the Night Together." He collaborated with Neil Young, beginning with producing "Expecting to Fly" by Buffalo Springfield. Nitzsche played electric piano with Crazy Horse throughout 1970. Despite frequent clashes with Billy Talbot and Ralph Molina, Nitzsche remained with the band after Young left in 1970. Nitzsche produced the band's 1971 self-titled debut album and sang lead vocal on "Crow Jane Lady". Nitzsche began to concentrate more on film music rather than pop music in the mid-1970s, becoming one of the more prolific film orchestraters in Hollywood during the period. In 1983, he received the Academy Award for Best Song for co-writing "Up Where We Belong" (from the 1982 film An Officer and a Gentleman) with Will Jennings and Buffy Sainte-Marie. Nitzsche had also worked on film scores throughout his career, such as his contributions to the Monkees movie Head, the theme music from Village of the Giants (recycling an earlier single, "The Last Race") and the soundtracks for Performance (1970), The Exorcist (1973), One Flew Over the Cuckoo's Nest (1975), Hardcore (1979), The Razor's Edge (1984) and Starman (also 1984). | 2:35:59 (Pop-up) | ||||
| Frank Zappa |
Watermelon In Easter Hay (Live) / Stop Giving People A Reason...
|
2:40:49 (Pop-up) | ||||||||
| Frank Zappa |
Watermelon In Easter Hay
|
Joe's Garage | Zappa Records | 1979 | Frank Zappa developed the song, "Watermelon In Easter Hay," during his live performances in 1978. The first recorded instance of "Watermelon in Easter Hay" was at at the Hammersmith Odeon in London on January 27, 1978. Another version was recorded a month later in Germany and is available on "Frank Zappa Plays The Music Of Frank Zappa." / On drummer who played on "Joe's Garage" album: Many consider Vinnie Colaiuta the most advanced drummer who played with Zappa. Here is Steve Vai: “He’s one of the most amazing sight-readers that ever existed on the instrument. One day we were in a Frank rehearsal, this was early ’80s, and Frank brought in this piece of music called “Mo ‘N Herb’s Vacation.” Just unbelievably complex. All the drums were written out, just like “The Black Page” except even more complex. There were these runs of like 17 over 3 and every drumhead is notated differently. And there were a whole bunch of people there, I think Bozzio was there. Vinnie had this piece of music on the stand to his right. To his left he had another music stand with a plate of sushi on it, okay? Now the tempo of the piece was very slow, like “The Black Page.” And then the first riff came in, [mimics bizarre Zappa-esque drum rhythm patterns] with all these choking of cymbals, and hi-hat, riffs, spinning of rototoms and all this crazy stuff. And I saw Vinnie reading this thing. Now, Vinnie has this habit of pushing his glasses up with the middle finger of his right hand. Well I saw him look at this one bar of music, it was the last bar of music on the page. He started to play it as he was turning the page with one hand, and then once the page was turned he continued playing the riff with his right hand, as he reached over with his left hand, grabbed a piece of sushi and put it in his mouth, continued the riff with his left hand and feet, pushed his glasses up, and then played the remaining part of the bar. It was the slickest thing I have ever seen. Frank threw his music up in the air. Bozzio turned around and walked away. I just started laughing.” / On "Joe’s Garage" Zappa continued to use his technique of xenochrony, the placement of previously recorded material on top of studio tracks. Almost all his guitar solos on the album were recorded during live performances from his 1978 tours, and he let band members accompany these solos in the studio and improvise on top of them. He recorded only one new solo for Joe’s Garage and that was "Watermelon in Easter Hay." As for the name, Zappa told an interviewer: “If a drummer overplays, if the bass player overplays or the keyboard overplays . . . if they don’t have any sensitivity to what I’m doing or if they aren’t smart enough to track the direction that I am going in, it’s like dragging an anchor. In fact, I’ll point out the way that song, “Watermelon in Easter Hay” got its name. It’s from the statement that playing a solo with this band is like trying to grow a watermelon in Easter hay. And most of the bands that I’ve had, it was like that. It’s been just recently where I’ve had rhythm sections that don’t get in my way and let me do what I am going to do.” | 2:45:41 (Pop-up) | ||||
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Listener comments!
duke:
dale:
Really Lisa!:
Pablexa™:
CarolCrow:
Nulsh:
CarolCrow:
Brian in UK:
CarolCrow:
Ruth Booth:
Pablexa™:
Sem:
Good morning, Ms. Crow, moonlit ones, refugees from serious moonlight Sinatras, and all. Hey, ruth!
Heidi:
Brian in UK:
The price of cheap food is poor animal welfare not a difficult equation to work out.
Brian in UK:
Heidi, cannot keep you away!!
CarolCrow:
Peter from Dover:
CarolCrow:
Heidi:
CarolCrow:
Nulsh:
Sem:
Hello, Brian. Alright there?
chills:
Revolution Rabbit Nov63:
CarolCrow:
CarolCrow:
David in London:
Hey Nulsh, Brian, Sem, Pablexa, Heidi.
CarolCrow:
Heidi:
ignatatus666:
Love God Speed you Black Emperor
All is well
Booking out
Talk in a while
Stanley:
CarolCrow:
CarolCrow:
Kevin-san:
Stanley:
Brian in UK:
CarolCrow:
Sem:
TDK60:
CarolCrow:
Brian in UK:
David in London:
Pablexa™:
Stanley:
Nulsh:
Hey David, Stanley, Brian, TDK60, and Kevin-San!
CarolCrow:
Brian in UK:
Kevin-san, to quote loons, close-fitting casual trousers widely flared from the knees downwards.
Heidi:
Planet Tyler:
Brian in UK:
David in London:
Mom, lucky to have some good sunshine here in the metropolis.
Nulsh:
Back atcha!
David in London:
CarolCrow:
Kevin-san:
@Brian in UK: Loon pants, yes, in crushed velvet!
Stanley:
Nulsh:
B/wad:
Stanley:
CarolCrow:
TDK60:
CarolCrow:
Brian in UK:
CarolCrow:
Stanley:
Kevin-san:
@Carol: nice job on the circonflex over the I's (beautiful track too!)
David in London:
CarolCrow:
Heidi:
Heidi:
Brian in UK:
B/wad:
Earth Walker:
Greetings from Sunny Day France
B/wad:
CarolCrow:
David in London:
Ah, atypical though it is, this is one of my favourite Morricone scores.
Brian in UK:
Dave Conehead:
Driving out to LI to take u fishing, into sunrise, w my dog and Jah guiding us.
Have this Apocalypse Now on vinyl.
So good
Stanley:
lanky:
Stanley:
Brian in UK:
lanky:
Stanley:
tak:
Pablexa™:
lanky:
Revolution Rabbit Nov63:
...& then FMUvians just being glib in Comments is the best material anyhow...
lanky:
lanky:
Pablexa™:
Nulsh:
lanky:
lanky:
David in London:
Earth Walker:
lanky:
B/wad:
Ruth Booth:
lanky:
Sem:
Earth Walker:
Woodstock New York
Ignatatus666:
Brian in UK:
Earth Walker:
Heidi:
Nulsh:
David in London:
B/wad:
Stanley:
Ignatatus666:
He lives 5 minutes from me and is basically in my back yard. One of my clients is his neighbor. Winter 2018 he had a party on the lake where they live. The guest performing? The talking heads. They even had lights in the ice itself for the party and the band.
B/wad:
David in London:
Earth Walker:
Stanley:
Brian in UK:
Really Lisa!:
For me, it’s a feeling of inferior chat skills / social [media] anxiety
TDK60:
Revolution Rabbit Nov63:
Earth Walker:
CarolCrow:
Corey:
Earth Walker:
Revolution Rabbit Nov63:
CarolCrow:
Really Lisa!:
Really,
Lisa
B/wad:
CarolCrow:
Stanley:
Ignatatus666:
Ovaltine or Raw Beet Juice?
B/wad:
Revolution Rabbit Nov63:
CarolCrow:
CarolCrow:
Deborah:
David in London:
Revolution Rabbit Nov63:
Deborah:
CarolCrow:
Stanley:
Dan-from-Augusta:
Brian in UK:
CarolCrow:
Baja Joe:
CarolCrow:
Stanley:
(gives big purple smile)
Revolution Rabbit Nov63:
Ignatatus666:
Sylvia (France-NYC):
I just love the community of it (and music nerds, obv)
Stanley:
The wisdom of Frank Zappa.
Earth Walker:
Revolution Rabbit Nov63:
CarolCrow:
Ignatatus666:
Stanley:
Stanley:
CarolCrow:
CarolCrow:
David in London:
Ignatatus666:
Brian in UK:
CarolCrow:
Really Lisa!:
Reason enough to explore other shows and streams, so discover more musical goodies I didn’t know I was missing.
CarolCrow:
Snoochienucci:
Hey there DIL, hope your doing well bud
Sylvia (France-NYC):
WFMU is a special place, for sure
Hellooo Carol!
Ignatatus666:
Don’t you eat that blood red snow
Ignatatus666:
I’m not vegan it just sounded macabre
CarolCrow:
David in London:
Brian in UK:
Sylvia (France-NYC):
Stanley:
CarolCrow:
Brian in UK:
Nulsh:
Tom from Stirling:
....and Frank Zappa: he knows what's what. And whatnot
CarolCrow:
David in London:
CarolCrow:
David in London:
Stanley:
Ignatatus666:
Macabre amuses me
CarolCrow:
snoochienucci:
And yup DIL. Trying to sneak in a bike ride before the rest of the day begins. My moms bday is today so we have a few family members stopping by for an outside hang a little later.
Stanley:
Tom from Stirling:
TDK60:
Nulsh:
Revolution Rabbit Nov63:
Zappa probly shoulda stopped smoking like a chimney - as famously straightedge as he supposedly was...
Ignatatus666:
I don’t mind vegetarian substitutes. But most of the popular companies really don’t give a shit about nutrition as they load the products up with sodium sweetness and starch
Hey kids don’t forget Gluten free is starch which equals sugar which equals stored fat cells.
LiXiviated Life:
N. Pileggi
Ignatatus666:
Stanley:
John from NP:
snoochienucci:
John from NP:
John from NP:
Revolution Rabbit Nov63:
Also - veggie stuff dries fast on a grill
I know Ignatatus but still.
Earth Walker:
Denim = De Nîmes
Revolution Rabbit Nov63:
snoochienucci:
upstate sean:
‘Fraid too many people have taken that advice.
upstate sean:
Sylvia (France-NYC):
upstate sean:
queems:
Ignatatus666:
Tom from Stirling:
Deborah:
TDK60:
Earth Walker:
The Criminal food companies in America profit through this I think 80%
From elderly and poor folks
Sylvia (France-NYC):
Sylvia (France-NYC):
Tom from Stirling:
David in London:
LiXiviated Life:
Divide and conquer.
Revolution Rabbit Nov63:
Even many who find him vey much not to their tastes must admit his intimidating Genius. His socio-political Voice is keenly missed.
TDK60:
Earth Walker:
snoochienucci:
Deborah:
Sylvia (France-NYC):
upstate sean:
LiXiviated Life:
What’s important is to be aware.
Sylvia (France-NYC):
Stanley:
White flour+unrefined sugar+oil. I snuck into a dark corner and boy did I enjoy it.
Deborah:
Ignatatus666:
upstate sean:
Revolution Rabbit Nov63:
David in London:
Stanley:
Ignatatus666:
I don’t hate you for it
I envy you
Revolution Rabbit Nov63:
Sylvia (France-NYC):
Stanley:
LiXiviated Life:
Everyone.
What about that great quote:
“Everyone has a price, the important thing is to find out what it is”
P Escobar
Earth Walker:
My last addiction
TDK60:
Revolution Rabbit Nov63:
...but 1st, coffee..
upstate sean:
Tom from Stirling:
Sem:
Sylvia (France-NYC):
upstate sean:
Revolution Rabbit Nov63:
Ignatatus666:
That’s a quote by a drug lord ahahaha
No not everyone does. I’ve thrown money at people and told them to get the f out of my cab
Earth Walker:
Sem:
upstate sean:
feel like I’m dragging the convo down!
Sorry
back to carol’s great art
Colleen:
Ignatatus666:
Start over
Tom from Stirling:
Deborah:
Ignatatus666:
Lixiviated Life:
Everyone can be reached.
T requires you to get to know the other person.
upstate sean:
Brian in UK:
lanky:
CarolCrow:
upstate sean:
Earth Walker:
Lixiviated Life:
Heidi:
Ignatatus666:
When it comes from that genre( drug lord) it is about money. They have no morals that can not be bought.The people they deal with and have that experience with are Political leaders,Religious people,famous people etc.
Earth Walker:
lanky:
Lixiviated Life:
My point exactly :)
lanky:
CarolCrow:
Revolution Rabbit Nov63:
CarolCrow:
Sem:
I see what you mean, BiUK
Lixiviated Life:
I don’t know.
I chose Escobar for effect.
Certainly got your attention.
My point is: Don’t close the door on people you may disagree with.
Heidi and me will be in the pub talking.
Join us
Jeffrey Davison:
Earth Walker:
CarolCrow:
Revolution Rabbit Nov63:
Nulsh:
Revolution Rabbit Nov63:
Brian in UK:
Nulsh:
Pablexa™:
John from NP:
Brian in UK:
www.imdb.com...
David in London:
Tom from Stirling:
David in London:
Ignatatus666:
I appreciate and love the offer
Perhaps one day
Stanley:
Eric from Lake Hiawatha:
Earth Walker:
Brian in UK:
Stanley:
Earth Walker:
CarolCrow:
Stanley:
Earth Walker:
Brian in UK:
Ignatatus666:
Brian in UK:
The Butterman:
Tom from Stirling:
Stanley:
Ignatatus666:
Im making a legitimate pastrami Ruben
Earth Walker:
CarolCrow:
Brian in UK:
Tom from Stirling:
David in London:
Have a good Sunday everyone.
Stanley:
Ignatatus666:
Hey it has sauerkraut
Revolution Rabbit Nov63:
Love Mr. Frank's gittar.
Stanley:
upstate sean:
You can take some people all over the world an show them different ways of living, and they will change their minds about lots of things. But you can take some other people on the same journey, and they will not be curious and they will change their minds about nothing.
I've seen this. It is distressing, but some people, you just can't reach.
John from NP:
Lixiviated Life:
Love your show
Sorry that you have to go.
Nulsh:
Thanks Ruth Booth!
Bye fer' now amigos!
Awra best Heidi!
upstate sean:
Ignatatus666:
Sem:
Deborah:
TDK60:
Tom from Stirling:
Revolution Rabbit Nov63:
- alla yooze.
Lixiviated Life:
We should find a pub and have a pint
:)
Really Lisa:
And thank you, Ruth!
Peace, everyone.
Stanley:
Sublime music and great vibes.
Thanks, once again, Carol and all you wonderful peeps out there.
Earth Walker:
upstate sean:
jc momma:
Eric from Lake Hiawatha:
Lixiviated Life:
:)
Ruth Booth:
UncleMarty:
upstate sean:
tranewreck:
Baja Joe:
Earth Walker:
sweir:
Ken From Hyde Park:
Baja Joe:
upstate sean:
sweir:
snoochienucci:
bLeubomberune b:
CarolCrow: