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This is where all of culture and all of time are collapsed into one seductive portal and viewed through the panoramic lens of the exotic. Come and embark on an armchair-travel virtual-voyage to the heart of timeless darkness and beyond; embrace the numinous monolith of the exotic immensity. Let us find that place where hybridization meets its destiny as pure fantasy. Let us become observers observing those others who are ourselves. You wear your mask and I'll wear mine.
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August 24, 2017: In Search of New Languages: Women in Electronic Music (Astral Traveling, Forces of Nature, Dance & Performance)
Listen to this show:
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Artist | Track | Album | Year | Comments | Approx. start time |
---|---|---|---|---|---|
Intro | |||||
Emerald Web | Rainforest | Valley of the Birds | 1981 | Bob Stohl & Kat Epple | 0:00:16 (Pop-up) |
Emerald Web | Photonos | Valley of the Birds | 1981 | 0:06:18 (Pop-up) | |
Music behind DJ: Emerald Web |
Chasing of the Shadowbeast |
The Stargate Tapes 1979-82 |
0:16:24 (Pop-up) |
||
Laurie Spiegel | Drums | The Capriccio Series of New American Music | 1983 | rec. 1975 on the GROOVE hybrid system at Bell labs | 0:29:22 (Pop-up) |
Laurie Spiegel | Patchwork | The Expanding Universe | 1980 | rec. 1974-76 on the GROOVE hybrid system at Bell labs | 0:33:18 (Pop-up) |
Laurie Spiegel | Appalachian Grove I | New Music for Electronic and Recorded Media | 1977 | rec. 1974 on the GROOVE hybrid system at Bell labs | 0:42:51 (Pop-up) |
Laurie Spiegel | A Myth | Obsolete Systems | 2001 | rec. 1983 (as part of "Three Modal Systems") "Electronic tape realized on McLeyvier computer-controlled analog synthesis music system " | 0:48:13 (Pop-up) |
Laurie Anderson | Drums | You're The Guy I Want To Share My Money With | 1981 | 0:54:26 (Pop-up) | |
Laurie Anderson | Self Playing Violin | The Record of the Time | 2002 | rec. 1974 | 0:55:22 (Pop-up) |
Laurie Anderson | Two Songs For Tape Bow Violin: Ethics is the Esthetics of the Few-ture (Lenin) / Song For Juanita | Airwaves | 1977 | 0:56:15 (Pop-up) | |
Laurie Anderson | Born, Never Asked | You're The Guy I Want To Share My Money With | 1981 | 0:59:46 (Pop-up) | |
Laurie Anderson | Let X=X | Big Science | 1982 | 1:04:34 (Pop-up) | |
Laurie Anderson | It Tango | Big Science | 1982 | 1:08:18 (Pop-up) | |
Laurie Anderson | Langue d'Amour | Mister Heartbreak | 1984 | 1:12:28 (Pop-up) | |
Laurie Anderson | It Was Up in the Mountains (read by Paul from L.A.) | You're The Guy I Want To Share My Money With | 1981 | 1:17:20 (Pop-up) | |
Annea Lockwood | Tiger Balm | Annea Lockwood | 1977 | 1:19:37 (Pop-up) | |
Music behind DJ: Annea Lockwood |
World Rhythms |
New Music for Electronic and Recorded Media |
1977 |
1:31:53 (Pop-up) |
|
Deutsche Wertarbeit | Deutscher Wald | Deutsche Wertarbeit | 1981 | Dorothea Raukes | 1:49:56 (Pop-up) |
Deutsche Wertarbeit | Der Grosse Atem | Deutsche Wertarbeit | 1981 | 1:52:15 (Pop-up) | |
Pauline Anna Strom | Energies | Trans-Millenia Consort | 1982 | 1:57:48 (Pop-up) | |
Pauline Anna Strom | Mushroom Trip | Plot Zero | 1983 | 2:03:24 (Pop-up) | |
Pauline Anna Strom | Virgin Ice | Spectre | 1984 | 2:12:08 (Pop-up) | |
Pauline Anna Strom | Phantom Dancer | Trans-Millenia Consort | 2:16:08 (Pop-up) | ||
Daria Semegen | Arc: Music for Dancers | Electronic Music for Dance | 1978 | LP with Bülent Arel ( Dance music composed for choreographer Mimi Garrard's experimental dance works); Arc: Music For Dancers was realized 1977 at the Electronic Music Studios at the State University of New York, Long Island | 2:19:09 (Pop-up) |
Music behind DJ: Laurie Spiegel |
Music for Dance I & II |
The Expanding Universe |
2012 |
Unseen Worlds comp. |
2:31:39 (Pop-up) |
Johanna M. Beyer | Music of the Spheres | New Music for Electronic and Recorded Media | 1977 | composed 1938 | 2:43:25 (Pop-up) |
Pauline Oliveros | Bye Bye Butterfly | New Music for Electronic and Recorded Media | 1977 | real-time tape delay collage work for performance, rec. 1965 | 2:49:01 (Pop-up) |
Music behind DJ: Megan Roberts |
I Could Sit Here All Day |
New Music for Electronic and Recorded Media |
1977 |
2:57:09 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Flash Strap:
doctorjazz:
How YOU doin'?
Flash Strap:
doctorjazz:
Flash Strap:
Flash Strap:
Flash Strap:
David D:
Dean:
David D:
David D:
hyde:
Flash Strap:
And hello Dean! No Maggi Payne tonight, but she's in the runnings for a future show; I'll do at least one more in this series
I think I remember that, Hyde! And hello to you!
geezerette:
doctorjazz:
Flash Strap:
Flash Strap:
Walking Daydream:
Flash Strap:
Walking Daydream:
Flash Strap:
Dean:
JtotheK:
Flash Strap:
David D:
David D:
doctorjazz:
Flash Strap:
@Dean: I'll look into that, I think I have some of her stuff but i'm not very familiar with it
Dean:
Flash Strap:
David D:
Flash Strap:
doctorjazz:
I'm sure if you had the Total version (NY area about 70%) it must have been something to see.
David D:
David D:
David D:
Flash Strap:
Flash Strap:
hyde:
Flash Strap:
still b/p:
www.matrixsynth.com...
hyde:
Flash Strap:
Walking Daydream:
Flash Strap:
Walking Daydream:
Walking Daydream:
coelacanth∅:
@dustbiddy:
Flash Strap:
hyde:
melinda:
coelacanth∅:
Flash Strap:
Hi dustbruddy and thank you with love
Flash Strap:
doctorjazz:
time to take you to the car, thanks Flash!
hyde:
Doug Schulkind:
Flash Strap:
melinda:
Flash Strap:
Doc I always love being your copilot.
Hyde this is like THE record of the human race (though I really like Mister Heartbreak just about as much)
coelacanth∅:
melinda:
Flash Strap:
coelacanth∅:
Flash Strap:
Anybody remember her old PSAs? crazy stuff
coelacanth∅:
Flash Strap:
doctorjazz:
still b/p:
geezerette:
One of the most exciting things I've ever seen/heard.
Flash Strap:
Flash Strap:
Flash Strap:
geezerette:
coelacanth∅:
geezerette:
Flash Strap:
thanks, G.! warms my heart, truly
geezerette:
Man, the growl...
geezerette:
northguineahills:
northguineahills:
geezerette:
northguineahills:
coelacanth∅:
the other grew the most perfect crystals (for whatever purpose they wanted her to grow crystals) with her work partner. they tried to teach others to do it but no one else ever grew them as well. after a few life-threatening chemical spills there, she quit to work at a garden nursery (her true passion) for much smaller wages.
northguineahills:
geezerette:
northguineahills:
northguineahills:
geezerette:
Doug Schulkind:
David D:
David D:
Flash Strap:
@C: that is really interesting, about Bell and the crystals
@Doug: I'd love to be on a stoop as you traipse by
northguineahills:
melinda:
Flash Strap:
hyde:
Flash Strap:
David D:
Doug Schulkind:
Stoop id = Fresh
hyde:
Flash Strap:
Flash Strap:
Flash Strap:
Flash Strap:
Alex In Illinois:
doctorjazz:
hyde:
hyde:
Flash Strap:
geezerette:
Flash Strap:
Flash Strap:
Alex In Illinois:
Flash Strap:
Alex In Illinois:
geezerette:
hyde:
geezerette:
Greetings,Hyde!
Alex In Illinois:
That's because too much continuous time can fatigue sensitivity. Also, I mostly did not compose with a set form in mind and sometimes a piece would emerge with form unconsciously and other times, what I ended up with was kind of an audio mess.
Flash Strap:
hyde:
geezerette:
northguineahills:
Little Danny:
Little Danny:
Flash Strap:
Hi LD! glad to hear it and great to see you
Flash Strap:
northguineahills:
Flash Strap:
northguineahills:
northguineahills:
geezerette:
Alex In Illinois:
Flash Strap:
Little Danny:
doctorjazz:
geezerette:
Evan, must see if there's an excerpt somewhere.
Alex In Illinois:
northguineahills:
geezerette:
Little Danny:
northguineahills:
northguineahills:
Flash Strap:
Flash Strap:
melinda:
Little Danny:
Flash Strap:
coelacanth∅:
i had to scroll up...i knew there was interesting conversation i was missing.
now, ahh. good eating music.
geezerette:
geezerette:
Little Danny:
Flash Strap:
Little Danny:
Flash Strap:
in case I was at all hard to hear, this is the abridged notes that I just read concerning this piece:
About Bye Bye Butterfly Oliveros writes: “This work is a two-channel tape composition (with an enclosure) made at the San Francisco Tape Music center in 1965. It utilizes two Hewlett-Packard oscillators, two line amplifiers in cascade, one turntable with record, and two tape recorders in a delay setup. The composer arranged the equipment, tuned the oscillators, and played through the composition in real time.”
Though certainly not pre-planned by the composer, this fine, improvised musical gem, composed by an outspoken advocate for women’s rights, symbolically bids farewell not only to the music of the nineteenth century but also to the system of polite morality of that age and its attendant institutionalized oppression of the female sex. The title refers to the operatic disk which was at hand in the studio at the time and which was incorporated into the ongoing compositional mix.
Flash Strap:
BYE BYE BUTTERFLY
Madame Butterfly is so ripe for this sort of thing, which reminds me to say that Cronenberg's M. Butterfly is a pretty devastating deconstruction of Madame Butterfly's tropes
hyde:
coelacanth∅:
later on y'all
Doug Schulkind:
Flash Strap:
Alex In Illinois:
Flash Strap:
quinn:
Webhamster Henry:
Flash Strap: